Like our friends Chekhov and Ibsen, August Strindberg invites reinvention, interpretation and re-interpretation. Strindberg’s brooding psychological themes have not had as much stage time as those of his contemporary.**
Ibsen, Chekhov and Strindberg are modern playwrights, in the sense that Freud is modern. Our sense of the inner workings of the soul and its desires have all been clarified in their work.
We are introduced to characters, conflicts and situation which have us wondering what if? We search for their outcomes and new resolutions for them. Hence the tendency for contemporary writers to rephrase and update Ibsen, or Anton Chekhov or, now especially, August Strindberg.
In the upcoming Classic Stage Company double-bill in repertory, Conor McPerson and Yaël Farber rework two Strindberg pieces, Dance of Death and Miss Julie. This Strindberg celebration runs from January 15th through March 10th at the CSC’s theatre on East 13th Street.
Farber’s Mies Julie resets the play to the Karoo of South Africa, adding a new dimension to the social conflicts in the original. Mies Julie is directed by Shariffa Ali who brings enlightened and empassioned humanitarian activism into the play’s broader themes.
Victoria Clark is helming the production of McPherson’s interpretation of Dance of Death. You surely know her as a Broadway musical star, who won a Tony for her lead in The Light In the Piazza, and was a nominee for four of her other outings. Lately, Ms. Clark has been directing musicals and operas around the country. She brings her sense of the lyricism in words to Strindberg’s brutal vision of a marriage in decline.
** (Strindberg’s Miss Julie, for instance, was last seen at the Roundabout in 2007 with Jonny Miller and Sienna Miller, although an off-Broadway production of his lesser-known The Pelican was produced in 2016.)