Posted in based on a true story or event, drama, love story, musical theater, radio drama, theater

Hey, what’s goin’ on?

This week in theatre: dateline November 20th

Through November 22nd at The Kraine Theater: The world premiere production from the team that brought us Bedbugs!!! of Paul Leschen and Fred Sauter, The Astronaut Love Show is a cosmic-centric tale of three  love stories with a 1970s inspired-score.  Andy Peterson is the music director and John De Los Santos directs, The Astronaut Love Show stars Amber Martin as Leslie Starvak, Mark Rinzel as Arvin Meissner, Samantha Stoltzfus as June Bernice McNealy, Nick DeMatteo in multiple roles, Injoy Fountain in multiple roles, and Ross McCorkell as Astronaut Bobby Olofsson, the cannibalized Berndt Brockhaus and Mormon missionary Kip Swanson.

Learn more at

Another earth-defying production is That Physics Show, an evening of scientific magic, created and performed by professional physics demonstrator David Maiullo at The Playroom Theater through January 2, 2016.

That Physics Show demonstrates awesome feats of physics, from sound waves, density, fluid motion and momentum on to light waves and temperature. It’s not magic! It’s science.
Learn more at

After a sold out run, That Physics Show, the production has moved to the 180-seat Elektra Theater for an open-ended engagement. Previews begin on Friday, February 26th and the Opening Night is scheduled for Wednesday, March 9th.  For more information, please visit

December 1st at BRIC House, theater goes audio
Playing on Air, a public radio show featuring recordings of select contemporary short American plays, returns to BRIC House for a third season of performances. Nine short plays by notable American playwrights (three per evening) will be (or have been) recorded live at BRIC House, downtown Brooklyn on October 20, 27 and December 7 at 7:30pm.

PlayingOnAirThe live performances feature, among others,   Willy Holtzman, Warren Leight and David Auburn, (December 1). Each play is followed by an interview with its playwright, director and cast. The evenings are moderated by Claudia Catania, Playing on Air’s founder and producer.

Performers for the series have included  Bobby Cannavale, Chris Cooper, Hope Davis, Jesse Eisenberg, John Leguizamo, Jane Krakowski, Audra McDonald, Debra Monk, Rosie Perez, Jerry Stiller, to name just a few. Over the years and its 17 recorded “sessions,” Playing on Air has produced plays by Lynn Nottage, Beth Henley, Christopher Durang, David Lindsay-Abaire and David Ives, to name a few of the playwrights represented.

On December 7th, the program will include The Wonderful Thanksgiving Violet by Max Baker, directed by Carrie Preston;   2 Dads by David Auburn, again featuring Bobby Cannavale along with Tony Shalhoub, directed by Claudia Weill, and The Press Conference by Jessica Dickey, directed by Judith Ivey and featuring Paul Thureen, Will Dagger, and Jay O. Sanders.

Find out more at

In related Bobby Cannavale news:
December 11-13, at The 52nd Street Project’s Five Angels Theater, Bobby Cannavale joins Edie Falco, Frank Wood and other accomplished actors to perform in Larger Than Life: The Supersized Plays, the Project’s Fall 2015 Playmaking show of plays written by kids.

The 52nd Street Project makes a difference in the lives of countless Hell’s Kitchen (Clinton) kids by pairing them with theater professionals who mentor them through the creation of original theater. Larger Than Life features the works of ten-year olds new to theater. The novice playwrights present their work to the public for the first time in this celebration of The 52nd Street Project.The kids writing the one-acts are Lauren Amador-Cruz, Lily Kuzminski, Ayman Musa, Bryanna Ohene Kari-Kari, Leonel Perez, Derek Rey, Selena Sanchez, Gage Simmons and Beyonce Thomas.

There’s more at

In the spirit of the season:

Our Friends The Enemy
Our Friends The Enemy

Through December 20th at Theatre Row’s Lion Theatre, Our Friends The Enemy is an inspiring story of the Christmas Truce on The Western Front in 1914. Not even a World War could undermine the morale of soldiers who wanted to celebrate a season of peace. Private James Boyce tells a very different kind of Christmas story, of how, on a frigid Christmas Eve of World War I, some British and German soldiers stopped their fighting and emerged from their trenches to spend Christmas together. They sang songs, exchanged gifts and even played a friendly game of soccer.




Posted in drama, family drama, theater

Welcoming the Paradigm Shift

Gender identity is a fraught subject, or it can be.extended

Unless you’re Paige (Kristine Nielsen) in Hir, at Playwrights Horizons, now extended (for the third second time) to January 3rd December 20th, who exuberantly celebrates the “paradigm shift” in her family, and posts the alphabet of sexual orientation and identification to her fridge.

In Hir, the superb new play by Taylor Mac, Isaac (Cameron Scoggins) comes back from a war zone to a home he doesn’t recognize.

His mother, Paige is systematically neutering his father. Paige tells Isaac that she feeds Arnold (Daniel Oreskes) estrogen to quiet him. Paige says his chronic violence against his family is borne of mediocrity. His anger was only exacerbated by his being set aside in a society that no longer needs angry white men to perform the tasks that a younger more diverse workforce has can do. The patriarchy, Paige says, is dead, even though her other child, once Maxine has turned hirself with internet-purchased ‘mones into Max (Tom Phelan.)

Isaac is a sad, unsettled soul, with few prospects, even of inheriting his own birthright. Isaac rails against his mother’s mistreatment of his father, much as Hamlet in another time and play, objected to Gertrude’s mistreatment of his father, the King.

Paige is mercilessly unsentimental. Nielsen, as is usual for this terrific actress, has serious fun with this serious and seriously funny role. She parses every sentence to give Paige her hard-won power. Paige may have miscalculated the support she can expect from Isaac.

David Zinn has made a wondrous to behold thunder-struck set for Isaac to tidy for Hir.

Taylor Mac treats his eccentric, yet somehow mainstream, characters with humor and
respect.  Under Niegel Smith’s direction, the ensemble is flawless. 

Hir is a marvelous and must-be-seen play.

For more information on Hir, and for tickets, please visit

Next up at PH: Jordan Harrison’s Marjorie Prime, directed by Anne Kauffman and starring Lois Smith.

Posted in based on a true story or event, musical theater

Gaman (n. Jap. 我慢): endurance with dignity

Enduring the seemingly unbearable with patience and dignity requires a heroic effort the likes of which many of us would not be capable.

In the case of the back story to Allegiance, at the Longacre for an extended run, all Japanese- Americans were called upon to show remarkable forebearance as they were rounded up and imprisoned.

Telly Leung and the cast in a scene from Allegiance (c) Matthew Murphy
Telly Leung and the cast in a scene from Allegiance (c) Matthew Murphy

After Pearl Harbor, our country, in a pique of paranoia, behaved ignobly toward its citizens of Japanese descent, marking them as de facto enemies. Allegiance is based on a true story, and inspired by one of its stars, George Takei; there were 120,000, Americans of Japanese descent interned under inhuman conditions. America turned on them, while demanding their “allegiance” and loyalty.

In Allegiance, Sammy Kimura (Telly Leung), a college student as American as the proverbial apple pie, struggles to make sense of the injustice being perpertrated upon him and his community. He organizes baseball games and dances to bring some light to the darkness of the Heart Mountain Relocation Center. He is itching to enlist in the war effort.

Michael K. Lee, George Takei and Lea Salonga in a scene from Allegiance (c) Matthew Murphy
Michael K. Lee, George Takei and Lea Salonga in a scene from Allegiance (c) Matthew Murphy

Japanese-Americans were not allowed to fight for their country; in fact, they lobbied through Japanese American Citizen League (JACL)-head Mike Masaoka (Greg Watanabe) for the privilege to join up. Many volunteered to serve in the armed forces.

His sister, Kei (Lea Salonga), is left behind in Wyoming where she has fallen in love with Frankie Suzuki (Michael K. Lee). Frankie’s sense of honor is to refuse loyalty to a country that keeps his family imprisoned; he burns his draft card.  Sammy’s father, Tatsuo Kimura (Christopheren Nomura), has also refused to sign the oath of loyalty and was sent to a labor camp.

The cast in a scene from Allegiance (c) Matthew Murphy
The cast in a scene from Allegiance. Choreography by Andrew Palermo (c) Matthew Murphy

For a chunk of the first act of Allegiance, despite the best efforts of its very capable cast, and the sincerity of the text (book by Marc Acito, Jay Kuo, Lorenzo Thione), it was not easy to emotionally connect to the characters’ plight. Somewhere along the line, all that changed. Suddenly, as Kei and Ojii-chan (George Takei) sang about moving a mountain, (the nicely Japanese inflected “Ishi Kara Ishi,” music and lyrics by Jay Kuo), that connection was formed.

Telly Leung and Katie Rose Clarke in a scene from Allegiance (c) Matthew Murphy
Telly Leung and Katie Rose Clarke in a scene from Allegiance (c) Matthew Murphy


At that point, and by the stronger second act, Allegiance exploded as an engaging and moving story. Nonetheless, despite a creditable second act, this story deserves a better telling.

Allegiance reveals the history of an America we may not wish to acknowledge, and of some of its citizens whose resilience and courage we need to acknowledge,

For more information about Allegiance, A new musical inspired by a true story, and for tickets, please visit


Posted in based on a true story or event, bio-musical, jukebox musical, musical theater

Get with the conga beat, now

A friend recently said, “Everyone has tragedy in their lives.” He was referring to the Gloria and Emilio Estefan backstory to On Your Feet! in this conversation, which should not be too much of a spoiler for their fans;  there was the terrifying bus accident in 1990, and some other sadness as well in their lives.But Gloria and Emilio’s story is not defined by tragedy.

Ana Villafañe and the cast of On Your Feet! (c) Matthew Murphy
Ana Villafañe and the cast of On Your Feet! (c) Matthew Murphy

Like their life, and music, On Your Feet!, at the Marquis Theatre through April 3rd,  is about uplift.

On Your Feet! opens with a scene from a concert tour and then flashes back.

With a book by playwright Alexander Dinelaris, On Your Feet! features the music and lyrics of Emilio and Gloria Estefan, and music recorded by Miami Sound Machine, 5 of whose members are in the band.

Josh Segarra and Ana Villafañe (center) and the cast ofOn Your Feet! (c) Matthew Murphy
Josh Segarra and Ana Villafañe (center) and the cast ofOn Your Feet! (c) Matthew Murphy

As On Your Feet!   goes back to tell the tale of Gloria’s beginnings, little Gloria (Alexandria Suarez) sends tapes of songs to cheer her father (Eliseo Roman), who is stationed in Vietnam. As she grows up, Gloria (Ana Villafañe) is still singing, and taking care of the household while her mother, Gloria Fajardo (the always excellent Andréa Burns), goes off to school. Gloria’s grandmother, Consuelo (Alma Cuervo) was her biggest booster, urging her to practice her guitar.

he Cast of On Your Feet! (c) Matthew Murphy
he Cast of On Your Feet! (c) Matthew Murphy

Keeping the beat in upbeat, it’s the songs and the dancing, with a strong script, that are the big draw here. On Your Feet! features many fabulous dance numbers, performed by the energetic and nimble corps, but none is more impressive than one danced in wooden sandals.

Choreographer Sergio Trujillo gives the ensemble, headed by dance captains Natalie Caruncho and Hector Maisonet, plenty to show off. Also impressive is the young Eduardo Hernandez (in all the young boy roles) who gets to show off his “America’s Got Talent” talents and demonstrate why he won the 2014 Latin Dance Cup. The actors, led by the lovely and ebullient Ana Villafañe as Gloria, are all transcendent.

On Your Feet! benefits from the imaginative sets of David Rockwell, who uses scrims, and moving screens, as part, but not all, of the stylish scene-making. ESosa’s costumes are lush, colorful and varied, helping to create the timeline of the Estefans’ narrative. Director Jerry Mitchell seamlessly brings together all the elements that make On Your Feet! such a crowd-winning pleasure.

Linedy Genao, Ana Villafane & Jennifer Sanchez in !On Your Feet! (c) Matthew Murphy
Linedy Genao, Ana Villafane & Jennifer Sanchez in On Your Feet! (c) Matthew Murphy

The Estefans, Emilio (Josh Segarra) and Gloria,   Cuban immigrants who met in Miami, made disco their own from the late 1970s to the late 1980s. Performing originally as the Miami Sound Machine and then as Gloria Estefan and the Miami Sound Machine, the group disbanded except for a brief reunion in 2002. Gloria went on as a solo artist, with Emilio as her producer; over the years they have together won 26 GRAMMY Awards®.

On Your Feet! is a grand time, and not just for fans of disco and MSM but for anyone who likes a good musical. On Your Feet! is fortunate in having an intrinsically moving story for its wonderful cast to tell through its well-honed plot and exuberant music/dance.

For more information and tickets, please visit


Posted in based on a true story or event, bio-musical, musical theater, theater

“Hamilton” is still A Perfect 10!

Alexander Hamilton was this country’s first banker-in-chief, a job which the young revolutionary fulfilled with the same brilliance and passion of all his endeavors. We commemorate him on our ten dollar bill, but are largely unaware of his contributions to his country of choice –yes, he was, like so many of us, an immigrant.

Alexander Hamilton’s life played out on the broad stage of a nascent United States.

Lin-Manuel Miranda has put him center-stage in the radically new bio-musical, Hamilton, which recently transferred from the Public to the Richard Rodgers in an open run.

Daveed Diggs, Okieriete Onaodowan, Anthony Ramos, and Lin-Manuel Miranda in Hamilton Photo © Joan Marcus
Daveed Diggs, Okieriete Onaodowan, Anthony Ramos, and Lin-Manuel Miranda in Hamilton Photo © Joan Marcus

The trip uptown from Astor Place has only given Lin-Manuel Miranda’s Hamilton a bigger stage on which to play out its amazing history of the founding of the United States. The stage at the Richard Rodgers should be familiar to Lin-Manuel Miranda since his Tony winning In The Heights was there for nearly three years, with Miranda in the lead as Usnavi for a good chunk of that time.

Lin-Manuel Miranda and the company of Hamilton. Photo © Joan Marcus
Lin-Manuel Miranda and the company of Hamilton. Photo © Joan Marcus



In Hamilton, for which he created the book (based on Ron Chernow’s biography, Alexander Hamilton,) wrote the lyrics, and composed the music, Miranda is the titular striver.  The story follows Alexander Hamilton from his arrival as an impoverished 19-year old to New York from the small island of Nevis in the Caribbean through his illustrious career as revolutionary, signer of the Declaration of Independence, and George Washington’s (Christopher Jackson) Secretary of the Treasury. Hamilton is a firebrand, and his fervor spills over making his relationships, even with Washington who is supportive of his ideas and career, difficult. (See our tweet as part of this commentary.)

Aaron Burr (Leslie Odom, Jr.) advises Alexander early on to “talk less, smile more.” Eventually, Alexander Hamilton, despite his contentious personality. forges a near miraculous agreement with Thomas Jefferson (Daveed Diggs) and James Madison (Okieriete Onaodowan). The Congress approves a unified central bank under which the new democracy flourished.

Alexander Hamilton was nothing if not determined. As he and the Marquis de Lafayette (Daveed Diggs, again) put it, “We’re immigrants; we get things done.” Hamilton gains General Washington’s trust because he never gives up on his principles.

Hamilton’s wife, Eliza (Phillipa Soo), and her sister Angelica (Renée Elise Goldsberry), from the prominent Schuyler family, are both devoted to him. Angelica is his intellectual equal and a champion of his ideas. Their sister, Peggy (Jasmine Cephas Jones) looks like she, too, fell under the spell of his charismatic drive. Alexander Hamilton was something of a lady’s man, it seems.

In the course of some three hours, the United States emerge from the colonies, America elects its third President– Thomas Jefferson, who wins the 1800 election against Burr with Hamilton’s endorsement–, and Burr is embittered by his failure to prevail. All this history unravels in anthems of rap and hip hop, pop and love songs.  King George (Jonathan Groff) laments his unfaithful colonies in a British pop tune mode. This tuneful sampling is a brilliant reflection of the spirit of revolution and renewal that Hamilton (and the period it depicts) represents.

The outsider’s story is America’s story. We are a nation, like Alexander Hamilton, of people who came from elsewhere to succeed, or as a Hamilton song puts it get “My Shot,” here.

Hamilton, under Thomas Kail’s direction of the no-less than brilliant cast and with Andy Blankenbuehler’s choreography for the excellent ensemble of “back-up” dancers and players, is the most entertaining history lesson ever devised. Hamilton is no less than genius!

(Previous mentions on T and B On The Aisle and elsewhere by Tamara Beck may have understated how great a musical Hamilton really is:

Also, see what I had to say about Hamilton at

For tickets to the season’s hottest new show, please visit



Posted in circus. vaudeville, clowning around, hula hoops, juggling

Takin’ a big bite

New York City got its own little BIG TOP,  when its circus performer founders decided to teach the skills they had honed over the years. From school to single-tent, in the European style, Big Apple Circus has set up its tent at Lincoln Center each holiday season since 1977.

Dominguez's take flight
Dominguez’s take flight

Your kids won’t care about any of that. They’ll be awed by the action in front of them. They’ll giggle as Skip (Brent McBeth) gets Mr. Joel (Joel Jeske, who wrote The Grand Tour and also creates and directs clown material for the troupe) soaked  and admire the Energy Trio acrobats as they stand on their hands.

2_BG21379You too will marvel at the talent on display in the new Big Apple Circus: The Grand Tour. Going in, a patron worried at missing the trapeze act, and then watched slack-jawed as Jayson and Eric Dominguez worked the Wheel of Wonder. Audible gasps were heard all around as the two men balanced and jumped on high, in two moving rings.

BREAKING NEWS: Jim Gaffigan is Guest Ringmaster on November 21st. In fact, look for a rotating cast of Guest R.M.s in the tour, and special events like the circus adapted for family members with autism program on November 17th.


Chiara Anastisini works the hula hoop like no one else
Chiara Anastisini works the hula hoop like no one else

Jenny Vidbel and Emily McGuire work a dog act (and the ponies, too) with an impressive bunch of canines. Alexander Koblikov, as a slightly askew sailor, juggles as many as 9 balls into his hat and behind his back. The Ringmaster (John Kennedy Kane) orchestrates The Grand Tour in a booming voice.

1._GU25447Much of what is on display could be billed as a vaudeville show. The Big Apple Circus Band, led by Red Slowik, is energetic and tuneful.

Sergey Akimov
Sergey Akimov

Enjoy this home-grown holiday tradition, running through January 10th at Lincoln Center’s Damrosch Park.

To learn more about the Big Apple Circus, or to get tickets, please see

Also see our other postings about the Big Apple Circus season here, and also here. There is also post at our site.1 BAC092315MS_ show_046 2 BAC092315MS_ show_061 3 BAC092315MS_ show_059 4 BAC092315MS_ show_052

Posted in comedy, drama, family drama, love story, theater

Hey, what’s goin’ on?

Here’s a very partial answer from the city where theater hardly ever sleeps:

Abyss, running from November 7th through December 6th, kicks off The Play Company’s (PlayCo), 15th anniversary season at Theaterlab; Abyss, a poetic thriller with connections to the former Yugoslavia, directed by Maria Mileaf, marks the U.S. debut of the award-winning German playwright Maria Milisavljevic.

In Abyss, a young woman named Karla has been missing from her Berlin apartment since Monday. I, She, and He, three of Karla’s closest friends, frustrated by the indifference of the local police, launch a search of their own.

For more information or tickets, please visit
From November 5th through the 21st, the Award-Winning Astoria Performing Arts Center (APAC) presents the world premiere production of Cheryl L. Davis’s Carefully Taught, directed by Pat Golden in limited engagement at Good Shepherd United Methodist Church.

Esther Chen and Latoya Edwards in Carefully Taught



Carefully Taught centers on the friendship of two schoolteachers–one black and one white. Their bond is shaken when one loses her job, and questions of loyalty and unspoken prejudice rise to the surface, forcing us to examine our perceptions of race.

For more information or tickets, please visit

November 19th, at Theatre Row, for the United Solo Theatre Festival, Dublin-based actor-comedienne Suzanna Geraghty is returning to New York for an unprecedented second encore of her Audience Choice Award winner Auditions, Zoe’s Auditions, about the trials and tributions of the endearing underdog Zoe.

For more information or tickets, please visit
Is it Valentine’s already? Dating: Adults Embracing Failure, written and performed by Josh Lanzet and Lindy Voeltner and directed by Andy Eninger, from November 19-21 at UNDER St. Marks is about discovering how to make it work.

Every relationship fails or perhaps it doesn’t. The trick is finding out which one will succeed. Dating: Adults Embracing Failure has a hilarious and thoughtful answer, showcasing eight eclectic couples as they discover if they have the right chemistry,  with one unexpected couple emerging intact through it all.

For more information or tickets, please visit  or visit
At the Brick in Brooklyn, experience the world premiere of the New Georges production of How To Get Into Buildings by Trish Harnetiaux as part of The Brick’s Resident Artist program, from December 3rd through 19th. Katherine Brook directs this exploded view of love, in which confusion reigns, time shifts, amateurs are experts, and brunch can be fatal.

Harnetiaux used the structure of the type of illustration or diagram used in manuals (for lawnmowers, bicycles, computers) that shows an object’s parts apart from the whole, but in positions that indicate their relationship to it. In How to Get Into Buildings, Roger and Lucy meet in a convention hall, Daphne and Nick fall apart at a diner, their stories intertwine as the play swirls around you, illustrating alternating views of love and heartbreak.

For more information or tickets, please visit or

Posted in #benefit

Celebrate! And dance….

Of Benefit:

On Sunday November 8th at Sardi’s at noon, Tony Award nominee Bryce Pinkham, Broadway stars Kelli Barrett, Lesli Margherita, Jessica Keenan Wynn and the Shapiro Sisters, along with the Classical Theatre of Harlem will join the starry lineup of the Theater Resources Unlimited for the 2015 TRU Love Benefit: Making Our Gardens Grow. 

PrintThis is in celebration of Theater Resources Unlimited’s (TRU’s) 24th year, and in honor of three people whose contributions to changing the landscape of the theater world are significant and notable.

Producer Patrick Blake (The 39 Steps, Bedlam Theatre’s Hamlet/St. Joan, Play Dead, My Life Is a Musical, The Exonerated, In the Continuum), also the founder of Rhymes Over Beats, a game-changing new hip hop theater company will be the recipient of the 2015 TRU Spirit of Theater Award.  Patrick Blake is being honored for being a member of the producing community who has demonstrated exceptional generosity, support and kindness to others in the business. The TRU Humanitarian Award will be presented to Teresa Eyring on behalf of one of American theater’s most distinguished service organizations, Theatre Communications Group (TCG); TCG is dedicated to strenghtening, promoting and nurturing non-profit theaters. The TRU Entrepreneur Award, given for committment, durability, and innovation, will be presented to Linda Amiel Burns for 38 years of The Singing Experience, a unique cabaret workshop that helps turn plain folks into singing “stars.”

The Awards ceremony will begin at 1pm after cocktails and a 3-course luncheon. Tickets are available at

Ballet Hispanico presents a holiday program at the legendary Apollo

Ballet Hispanico is collaborating with Apollo Theater for its expanded New York Fall Season programming.  Ballet Hispanico’s 45th anniversary season includes the world premiere of If walls could speak, by Brazilian native Fernando Melo, co-commissioned by the Apollo and set to live music. The premiere at the Apollo will mark the first time Melo’s work is presented in New York.

In a repertory that reflects the ever-changing diversity of Latino cultures, Ballet Hispanico makes its annual holiday return to the Apollo stage with additional performances from November 20-21, 2015.  Programs for young people and families, with a Saturday En Familia Matinee, are part of the weekend celebrations. Two Ballet Hispanico Performances for Young People / Apollo School Day Live shows of mixed repertory celebrating Latin American dance and culture will be offered to schoolchildren on the morning of Friday, November 20th.

For more information and tickets, visit



Posted in based on a true story or event, drama

A Deadly Game of Cat and Mouse

Guest review by Mari S. Gold

It’s 1918 and the Spanish flu is raging along the northwestern seacoast of the U.S. The tiny, mythical town of Tom’s Hill, somewhere off the coast of Washington, is the last place where there is a chance that the disease can be contained; if it is not, it will proliferate causing widespread illness and death.

The Widow of Tom Hill by Aleks Merilo, playing at 59E59 Theater C through Nov 15th,  was the second place winner in the 2015 Julie Harris Playwrights Award presented by the Beverly Hills Theater Guild.

In The Widow of Tom Hill  a young widow (Lucy Lavely) and a sailor (Derek Grabner) meet on a dock, effectively evoked by Miguel Urbino’s spare set and lighting by Jane Chan. The widow cradles a newborn daughter; the sailor is caught up in his military responsibilities. In the scenes that follow, the two parry, each trying to figure the other out, both fighting for control in an uncontrollable situation. At first, mistrust between woman and sailor runs high as they are on opposing sides of a military quarantine that holds their lives in the balance as well as the village and possibly the entire country. As time goes the pair establish a tenuous, complicated relationship based on mutual need.

From FB page:
From FB page:

Director Rachel Black Spaulding notes that she sees parallels between the 1918 flu epidemic and the recent Ebola outbreak in the way information was and still is hidden and society’s efforts to control nature without totally shutting down life. Both illnesses were accompanied by a great deal of misinformation especially Spanish flu that happened in an entirely un-media-driven world.  That disease was reportedly the deadliest pandemic in history killing 50 to 100 million people worldwide as it attacked in three waves.

Lucy Lavely does a commendable job as the widow especially the way she wordlessly communicates her isolation.  Grabner had moments when he made me fully grasp his dilemma and the terrible situation he finds himself in.  My biggest problem was with the script that can’t quite make up its mind whether it’s prose or poetry and would be stronger if it were cast entirely in one literary style.

The sound design by Jordan Pankin brings the waves and gunshots right into the audiences’ lap (particularly as the play is staged in the 59 East 59 black box theater which is small enough so we are practically onstage.) He might rethink the baby’s cries which sometimes came from offstage and sometimes from the direction of the child.

The Widow of Tom’s Hill is an ambitious work with plenty of suspense and an overarching sense of impending disaster.  Up to the epilogue that doesn’t enhance it, the play has plenty of tension and a nice arc. Mr. Merilo is a writer we’ll hear more from.

For more information about The Widow of Tom Hill, and tickets, please visit

Posted in AR Gurney, comedy, show about dog lovers, theater

Dog days

You might say that man is a dog’s best friend. Once they adopt us, we feed, care for and indulge our dogs in every way possible. Sylvia, A.R. Gurney’s play currently at the Cort Theatre through January 24th, underscores that devotion.

Sylvia Cort Theatre Robert Sella Matthew Broderick Julie White Annaleigh Ashford Production Credits: Daniel Sullivan (director) David Rockwell (scenic design) Ann Roth (costume design) Japhy Weideman (lighting design) Other Credits: Written by: A.R. Gurney - See more at:
Sylvia at the Cort Theatre. Pictured: Matthew Broderick as Greg, and Annaleigh Ashford as Sylvia. Daniel Sullivan (director), David Rockwell (scenic design), Ann Roth (costume design) and Japhy Weideman (lighting design). Written by: A.R. Gurney. Photo by Joan Marcus

In Sylvia, originally produced off-Broadway at the Manhattan Theatre Club in 1995, Greg (Matthew Broderick), a man at sixes-and-sevens, and at a midlife crossroads, brings home a stray. Sylvia, anthropomorphized by Annaleigh Ashley, delights him to the dismay of his wife Kate (Julie White), who is enjoying the freedom of their empty nest.

Sylvia with Julie White as Kate and Matthew Broderick as Greg. Photo by Joan Marcus
Sylvia with Julie White as Kate and Matthew Broderick as Greg. Photo by Joan Marcus

She and Greg are starting a new life in Manhattan, after raising their kids and a suburban existence. At least, Kate is starting a new life, with a career in which she thrives. Greg, on the other hand, is enamored by his new companion and not at all with his job. He is content to spend his days walking the dog.

Sylvia Cort Theatre Robert Sella Matthew Broderick Julie White Annaleigh Ashford Production Credits: Daniel Sullivan (director) David Rockwell (scenic design) Ann Roth (costume design) Japhy Weideman (lighting design) Other Credits: Written by: A.R. Gurney - See more at:
Sylvia with Robert Sella as Phyllis, with Annaleigh Ashford as Sylvia and Matthew Broderick as Greg. Photo by Joan Marcus

Annaleigh Ashford as the eponymous canine is adorable, never more so than when she curses out a cat in the park, or sidles up to a visiting friend of the family. Ann Roth’s costume designs embellish Sylvia’s personality, as when she preens after Greg takes her for a grooming.

Sylvia with Robert Sella as Tom and Matthew Broderick as Greg. Photo by Joan Marcus.
Sylvia with Robert Sella as Tom and Matthew Broderick as Greg. Photo by Joan Marcus.

Robert Sella demonstrates great versatility in playing several roles, across genders, in Sylvia. The ensemble is funny, and endearing. Director Daniel Sullivan has paced this little comedic walk in the park perfectly. David Rockwell’s excellent scenic design is, as expected, spare and fully-appointed.

Sylvia is highly recommended for dog lovers and those who love them.

For more information, and tickets, please visit