Posted in theater, Tony Awards, Tony winner

TONY (W)rap

I was wrong
Hamilton came on strong

Not seven
But eleven

Statuettes for lighting,
Orchestrations, and fighting

Cast and Lin
All win

Hamilton‘s got a token
Record’s still unbroken

Hamilton– 16 nods, 11 wins– trails
The Producers– winning 12– prevails

Their twelve wins no one’s topped
Even with just 11, Ham can’t be stopped

Try and get a ticket to see it, now– no!
That’s okay, it’ll still be there when you do go


It’s an annual ritual at VevlynsPen.com to have me flail around guessing who the winner will be on TONY’s big night. I am often wrong, and occassionally right. Congratulations, for instance, to Roundabout’s She Loves Me for a best for sets designed by David Rockwell.

But the business of TONY is a double-edged sword. The awards celebration attracts audiences– Hamilton, we might point out, did not need the boost– andthose not getting an award are dubbed TONY losers. Yes, I know, a TONY nominee is not a loser, but if you don’t win it…. well you know. It is in the musical category that productions are particularly vulnerable. (Plays are on their own time-table; very rarely would one last even 500 performances, although it may find a revival every few years.)

Not every musical is as resilient as Something Rotten! which chugs along with only the one lonely TONY winner, Christian Borle, in its cast. From this year’s crop, On Your Feet!, the Emilio and Gloria Estefan musical, has its own special appeal, and is selling tickets through next April.

American Psycho The Musical succumbed before awards night. The luminous Bright Star is closing before the July 4th holiday on June 26th; as CBS news confirms, it did not win the awards needed to keep the public’s interest. Shuffle Along, or the Making of the Broadway Sensation of 1921, and all that Followed is telling its story through October 9th at this point. We’ll see if it gets a second wind if and when Audra McDonald returns from her intermission from the show.

Since I mentioned plays, aka non-musical ones, earlier, it is good to remember that Eclipsed might have had a longer run had it gotten more love from TONY. The Father, which won a TONY for Frank Langella’s star turn, closed on schedule on father’s day.The Humans, this year’s best play will stay open at least through the end of the year at the Helen Hayes.

What can the TONYs do to help Broadway more? Should we all ease up a little on thinking of a TONY win as the pinnacle of a production’s success? In other, maybe TONY should matter less and the play be the thing…..

Author:

For an opinionated woman such as I, blogging is an excellent outlet. This is one of many fori that I use to bloviate. Enjoy! Comment on my commentary.

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