The Source: This is mine, and this is…
Christopher Marlowe had a way with words. Underappreciated, compared to his contemporary, Shakespeare, whose greatness is undisputed and whose popularity remains unrivalled.
Marlowe’s plots, like Shakespeare’s, drew from history and built on themes both personal and universal. His Tamburlaine the Great is one example of a tragedy with great umph. It is the ultimate tale of an over-reaching hero.
The Jew of Malta is the lesser-known Marlowe version of The Merchant of Venice, well sort of….. It was certainly an inspiration.
Shakespeare and Kit Marlowe were contemporaries, both great Elizabethan dramatists. In fact, Marlowe was considered the greatest tragedian of his era, but somehow Will has outlasted him. Marlowe’s plays are not revived; there is no annual “Marlowe Festival” nor “Marlowe in the Park” to honor his works. There are also no commemorative postcards from Russia for Marlowe, as there are for William Shakespeare. Shakespeare is known now as The Bard, and Marlowe is an obscure reference.
Can Marlowe’s works ever get the scrutiny they deserve? Can he someday share equal billing with Shakespeare? Is there a “market” for a Marlowe retrospective? Would a production of Marlowe’s works meet with audience approval and critical acclaim?
Marlowe met his untimely death in an as yet unresolved murder while his personal reputation was suspect. He had been called to the Privy Council for alleged blasphemies, so perhaps you might say his professional reputation was on the line when he was stabbed to death at the end of May 1593.