Posted in theater

Speaking of no intermission…

Photo Credit: Julieta Cervantes
Reed Birney, Olivia Wilde and Tom Sturridge in a scene from 1984 at the Hudson Theatre on Broadway. Photo Credit: Julieta Cervantes

Fashions come and go in clothing, in the arts, even in the theater, which also experiences changing styles. In the Greek amphitheater, plays would last all day. For Shakespeare’s and Marlowe’s audiences, there were often five act tragedies or comedies.

A few years ago, T and B sat in utter surprise when a play ended in just 51 minutes. Today, the drama, comedy, or musical without an intermission is quite common. Likely, it will be longer than an hour, but nonetheless, it will be a one-act play.

Currently running without an interval….

This is far from an exhaustive tour of 90-minute shows currently playing New York City, but it has breadth.

For instance, on stage at the Golden Theatre is Lucas Hnath’s A Doll’s House, Part 2clocking in at under 90 minutes. Laurie Metcalf, this year’s Tony winner for Best Actress, is leaving the production on July 23rd, when there will also be other cast changes. Although Jayne Houdyshell stays on as the family housekeeper, Julie White will take over as Nora Helmer; Stephen McKinley Henderson will replace Chris Cooper as Torvald, and Erin Wilhelmi comes aboard as the Helmer’s daughter, Emmy, replacing Condola Rashad.

Robert Icke and Duncan Macmillan’s 1984 comes to Broadway’s recently redecorated Hudson Theatre from a successful UK run. and is advertised as a “chilling 101 minutes.” 1984, a play adapted from George Orwell’s oft-quoted novel, delivers its abject view of a world in which our minds are controlled by an ubiquitous Big Brother without an intermission.

Pipeline at Lincoln Center’s Newhouse Theater, a new and timely play by Dominique Morisseau, directed by Lileana Blain-Cruz, confronts the realities that pit opportunity against community and identity. Pipeline also plays without an intermission.

At Soulpepper on 42nd Street, the Toronto troupe is performing a repertoire of plays and musicals, ensemble pieces, and cabaret. Some of this repertory, like Kim’s Convenience is performed in a brisk 85 minutes at Pershing Square Signature Center, giving you plenty of time to run out to the corner market before dinner. The musical adaptation of Spoon River also runs without pause, and is a mere hour and 35 minutes.

For tickets, scheduling and information, please click for the show sites:

A Doll’s House, Part 2

1984

Pipeline

Soulpepper on 42nd Street‘s:

Kim’s Convenience and

Spoon River

 

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