Man, realizing that he could not remain forever young, bestowed immortality on his gods and let them frolic in their gardens. Then he became jealous of their frivolity, and searched for the fountain of youth, for his own opportunity to act with irresponsibility.
For J.M. Barrie, the hunt for that “Neverneverland” was led by Peter Pan, the boy who would not grow up. Peter Pan was played by a number of actresses over the years– Mary Martin, Sandy Duncan, among them– and spawned a psychiatric syndromenot listed in the DSM.
In For Peter Pan on Her 70th Birthday, at Playwrights Horizons previewing August 18th and running through October 1st, Sarah Ruhl examines issues of immortality.
Her titular Peter is Ann (Kathleen Chalfant), an actress in community theater who played the boy 50 years ago in her youth. Those seeking to find their youth along with Ann are the “lost boys,” Wendy (Lisa Emery), Michael (Keith Reddin), Jim (David Chandler), John (Daniel Jenkins) and a dog named Macy. The cast, under Les Waters direction, is rounded out by The Father (Ron Crawford.)
For Peter Pan on Her 70th Birthday is the first play of the season at @PHnyc on their mainstage. On September 6th, the world premiere of a Playwrights Horizons commission, The Treasurerby Max Posnerwill begin at their Peter Jay Sharp space.
Once upon a time, there were hucksters and rich artists. The latter grew rich sometimes with the help of a kind of door-to-door hucksterism wherein they shilled their works to the public.
In the case of Georama: An America Panorama Told in Three Miles of Canvas, the artist was one John Banvard, now unknown.
Who was John Banvard (P.J. Griffith)? He was a showman, mainly because of the skills of his composer, Elizabeth (Jillian Louis) who worked the towns up and down the coast to promote and show off his new moving panorama of the Mississippi.
Success breeds imitation, and there are those who will take the opportunity. The huckster, who helped and then stole much of Banvard’s thunder, was Taylor (Randy Blair, in a very appealing role.) The businessman and showboat owner who remained Banvard’s friend through thick and thin was William Chapman.
To catch this musical by West Hyler (Hyler also directs) and Matt Schatz, with music and lyrics by Schatz and additional contributions to the latter by Jack Herrick, visit nymf.org. There are a couple of performances left through August 6th, which is also the end of the New York Musicals Festival.
Intrepid archeologists find lost, forgotten, hidden, unsung or underappreciated treasure.
The explorers at the Mint Theatre Company are no less persistent in valiantly unearthing the charms from the past. Their hunt is among the history of theatrical productions.
In their search, they have uncovered many gems, especially several from the prolific pen of Teresa Deevy, an Irish dramatist active with Dublin’s Abbey Theatre in the late 1930s and ’40s. It’s always a special occasion when a Teresa Deevy play is on view.
This year, they kick off the early fall 2017 with The Suitcase Under the Bed, a quartet of short plays found from whence they were stored. Three are world premieres and are presented here as part of the Mint’s Deevy Project.
The Suitcase Under the Bedbegan production on July 21st and runs through September 23rd at Theatre Row’s Beckett Theatre. For information and tickets, please visit The Mint’s website.