Posted in modern dance meets ballet, New York City Ballet, Paul Taylor, Paul Taylor American Modern Dance, Paul Taylor Dance Company, Sara Mearns

Meant to be

308px-Isadora_Duncan_(grayscale)
By Arnold Genthe (1869–1942) – Library of Congresshttp://en.wikipedia.org/wiki/Image:Isadora_duncan.jpg, Public Domain, https://commons.wikimedia.org/w/index.php?curid=443628

Any true fan can see the possibility, but it took Paul Taylor and Lori Bellilove to realize it.

Sara Mearns, the New York City Ballet prima, and a favorite dancer of mine, will embody Isadora Duncan in the PTAMD spring season this coming March at Lincoln Center.  Her performance as Isadora Duncan had a sold out run in June at the Joyce.

What Taylor has envisioned is a reconstruction of works that Isadora Duncan performed, with the choreography reimagined by  by The Isadora Duncan Dance Company Artistic Director, Lori Bellilove. The program will be performed  during the 2018 Season of Paul Taylor American Modern Dance.

Duncan is being celebrated for her role as a pioneer of modern dance, a mission Taylor has taken very much to heart. Her influence was vast, with ballet makers like Sergei Diaghilev saying she was a “kindred spirit,” and artists across various disciplines seeing her as a visionary. John Dos Passos wrote that “Art was whatever Isadora d

Ms. Mearns is tall, elegant, and as befits a ballerina, graceful. More than all of that she is a skilled actress.She has always taken on roles, acting out the impulses of her art. Her role in the Peter Martins ballet-meets-modern Barber Violin Concerto may have been preparation. Or perhaps she needed no prior reference– just her natural talents– to become Isadora.

For more information on PTAMD, please visit their site. Tickets for the 2018 season are not yet available.

 

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