Jerome Robbins was a man who knew how to put on a show. His ballets has as much pomp and circumstance, flair and flavor as any of his Broadway show.
At 30-40 minutes, they constitute something like a one-act on every program on which they are featured. Like many another dance-maker, Robbins covered a range of styles and subjects. There’s NY Export: Opus Jazz, the West Side Story Suite, and I’m Old Fashioned with their modern and pop culture motifs.
The Four Seasons, set to ballet interludes by Verdi from a number of his operas, is an exhilirating and very classical entertainment. In it he creates not just a mise en scène that takes us from winter through spring to summer and fall but also hearkens to Shakespeare. A Puck-like figure (puckishly danced by Preston Chamblee at the performance we attended) gambols through the final chapter of the ballet.
The Four Seasons with its processions representing the times and temperatures that progress through the year is at once majestic and light-hearted. Robbins, a much lauded stage choreographer contributed greatly to the NYCB repertoire in his long association with the company. He joined George Balanchine as Associate Artistic Director of the New York City Ballet in 1949.
This spring, the NYCB will dance in tribute to Jerome Robbins on his centennial for three weeks beginning on May 3rd.