Posted in #classism, #critique, #dystopia, #immersive-theater, #pointofview, activists, adaptation, Aditya Rawal, allegory, avant garde, Baruch Performing Arts Center, based on a novel, Brandon Walker, dark drama, drama, dysfunction, ensemble acting, equality, Erin Cronican, Ethan E. Litwin, experiments in theater, farce, George Bernard Shaw, Gingold Theatrical Group, Gwynn MacDonald, issue play, Jay O. Sanders, Kinding Sindaw Melayu, LaMama, Maryann Plunkett, off Broadway, opinion, play, political drama, politically inspired, politics, Potri Ranka Manis, premieres, refugees, riff, Siachen, storytelling, theater, theater for the common good, theatron or The Seeing Place, timely drama

All creatures, large and small

Theater can be distanced, ie by not breaking the fourth wall. It can be immersive, like Tamara at the Park Avenue Armory back in the day, or the McKittrick Hotel programs, Sleep No More or Woman in Black happening now. Audiences sit in the round, or follow the players from room to room, or sit in front of the proscenium, or on stage.

Form and presentation may contribute to the experimental nature of a play. Subject matters in making theater a relevant comment on our times.

These times need a healthy dose of cynical analysis and profound soul-searching. “All animals are equal,” George Orwell says in Animal Farm, “but some are more equal than others.” The Seeing Place, a ten year old theater collective, kicks off the season with a modern adaptation by Brandon Walker of Orwell’s novel.

The theme for this year is the Body Politic, and its Animal Farm focuses on drawing out the ways in which we are susceptible to the collective power of a group. The line between community and a folie à tous is subtle.

Executive Artistic Director, Erin Cronican says of TSP’s production; “By creating this play for just four actors playing 28 characters, we shine a spotlight on the malleability of people’s opinions and desires, which often depend upon who is in charge and what is promised to them.”

Another exploration of present day politics can be found in the works-in-process Siachen at Baruch Performing Arts Center, from April 30 through May 2. This anti-war play, written by Aditya Rawal, takes us to India’s disputed Kashmir region where a group of soldiers awaits rescue. Gwynn MacDonald directs.

George Bernard Shaw was a principled man, whose ideals of humanitarianism and universal human rights were a creed underpinning everything he wrote. His politics were always in evidence in his dramas. The Gingold Theatrical Group’s annual party, the Golden Shamrock Gala 2020, takes place on Monday, March 16th; they will be honoring Maryann Plunkett, Jay O. Sanders, and Ethan E. Litwin. The Gingold Theatrical Group creates theater in the activist spirit of GBS with regularly scheduled events through the year.

Kinding Sindaw – Photos by Josef Pinlac
.

LaMaMa, the mother of experimental theater, hosts a play appropriate for our time. Pananadem (Remembering) is about refugees brought to these shores by the Filipino troupe Kinding Sindaw. Potri Ranka Manis, the Founder and Artistic Director of Kinding Sindaw is the creative and choreographer behind this production, running from March 12th through March 15th in a New York premiere. The work uses the tradition of myth to capture the experience of the displaced.

Author:

For an opinionated woman such as I, blogging is an excellent outlet. This is one of many fori that I use to bloviate. Enjoy! Comment on my commentary.