Posted in #dystopia, Bloom's day, Bloom's Tavern, Bloomsday, Daily Prompt, dysfunction, George Bernard Shaw, Gingold Theatrical Group, Manhattan Theater Company, Origin Theatre Company, Origins Theatre Company, public performance in public spaces, Roundabout Theatre Company, Shakespeare, Shakespeare in the Park, Symphony Space, The Mint Theatre, The Public Theater, theatrical

In Retrospect

 

JamesJoycePula012
By Georges Jansoone (JoJan) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0)%5D, from Wikimedia Commons
Daily Prompt: Retrospective

“The past is prologue….” It’s a saying that suggests we learn from what has transpired before. At the theater, we certainly try hard to look at history and see where it has gotten us, how we approached our problems, what solutions were on offer. Great thinkers–and dramatists are definitely philosophers in action– have made their suggestions clear.

Shakespeare confronted every manner of political upheaval as well as all the dystopias of the soul. We regularly worship at his altar. This year, The Public Theater puts on a summer in the park season with his Othello and Twelfth Night.

George Bernard Shaw looked at askew the world from a totally original perspective. The Gingold Theatrical Group celebrates his musings in their regular Project Shaw series at Symphony Space and with Shaw Club meetings on Mondays. Manhattan Theater Company and the Roundabout folks have tackled Shaw over the years with productions of Major Barbara and, currently on stage at MTC’s Friedman, Saint Joan.

The roiling and effervescent stories told by James Joyce in Finnegan’s Wake are part of the annual Bloomsday readings, here in New York with one at Bloom’s Tavern and the other at the above mentioned Symphony Space. The Bloom’s Tavern event is coordinated through Origin Theatre Company and includes both celebrities and an Irish breakfast. To be more exacting, it also features a of the Joyce period costume contest.

 

 

Posted in Bloom's day, Bloomsday, James Joyce

One bloomin’ grand day

from http://www.origintheatre.org/
from http://www.origintheatre.org/

The Irish have given English its heart, wit and a pleasant-to-the-ear lilt. They have a smart and soulful way with the English language, which is celebrated, in part, by the annual reading of James Joyce’s masterwork, Ulysses.

What better place to honor Bloomsday than at Bloom’s Tavern, one of several New York hang-outs for Joyce’s (or is Harold Bloom’s) big day? The 2016 Bloomsday celebration was also the centenniel of Irish independency. “Origin’s 3rd Bloom… @ Bloom’s Tavern of Course!” is organized by  Origin Theatre Company.  There was music by the Irish-folk-rock troubadour Alan Gogarty; actors in costume greeted visitors for a feast of an Irish breakfast. As is the custom on Bloomsday, actors recreate the summer morning chronicled by James Joyce in Ulysses set in Dublin on June 16, 112 years ago.

Reading from the magnum opus were, among others, Fionnula Flanagan, Malachy McCourt, Alfie McCourt, author Colin Broderick and actors Terry Donnolly, Patrick Fitzgerald, Brenda Meaney,  and Fiona Walsh. Also on hand for the festivities was David Staller, champion of all things Shavian, and Charlotte Moore, doyenne of the Irish Rep. Jonathan Brielle, author, composer and lyricist of Himself and Nora  introduced the musical through songs performed by its stars, Matt Bogart and Whitney Bashor.

Joyce coined the idea of Bloomsday, himself, inaugurating the event on June 16, 1924.
The cast and presenters at the 2016  “Origin’s 3rd Bloom…” carried the tradition of the day forward with reverence and humor.

You may be interested in hearing what we’ve said about past Bloomsday celebrations as well: http://wp.me/p5jq0w-3C. Read The New Yorker‘s analysis of what is or is no longer shocking about Joyce’s shocking book.

 

Posted in Bloom's day, Irish theatre, James Joyce, Malachy McCourt, Origins Theatre Company, Sean Mahon

What does June 16th mean to you?

There are just 198 days that follow to the end of the year. 

Thorsten Pohl Thpohl – Own work


But, the significance of June 16th to the lit. crowd is that in 1924 James Joyce declared it to be Bloomsday. June 16, 1904 is the date of the events in his very long novel “Ulysses” and the day is named for its protagonist Leopold Bloom. 

June 16, 2014 Origin’s First Bloom at Bloom’s Taven of course.
Photo by Jimmy Higgins.


Bloomsday, or for the Irish purists, Lá Bloom, is most often commemmorated with readings from the novel. In the interest of full disclosure and total honesty, I will admit that what I know of the work is from NPR’s presentation of the annual Symphony Space event. 

Origin Theatre Company, a New York City “gateway for European playwrights,” hosted its first ever Lá Bloom at the new midtown tavern aptly named Bloom’s. The bar provided an excellent full Irish breakfast and 7:30am mimosas served by a friendly staff; costumed actors greeted arrivals with flowers and flower petals. 

Malachy McCourt, gracious and charming, was on hand to kick off the readings. He chose a passage about Hell from Joyce’s “The Governors” but tweaking tradition is a lovely thing to do.  Ireland’s soon to be ex-Consul General, Noel Kilkenny told of his role in interpreting “Ulysses” for a Chinese translation long ago. Actors including Conor MacNeill (currently on Broadway in the “The Cripple of Inishmaan”), Sean Mahon (who starred on Broadway in “The Seafarer” and “The 39 Steps” and is featured in the film “Philomena”), Jo Kinsella (“For Love,” and the Irish Rep’s “Dancing at Lughnasa”) performed their Joycean catechisms with the joy befitting the day.

Here’s to the second annual Origin Bloomsday! A resounding chorus of what was dubbed “Origin’s First Bloom, at Bloom’s Tavern, of course” rang out at the festivities.


Learn more about the Origin Theatre Company by going to their website, http://origintheatre.org/. Bloom’s Tavern is located at 208 East 58th Street, and on the web at www.bloomsnyc.com.