Posted in #dystopia, Bloom's day, Bloom's Tavern, Bloomsday, Daily Prompt, dysfunction, George Bernard Shaw, Gingold Theatrical Group, Manhattan Theater Company, Origin Theatre Company, Origins Theatre Company, public performance in public spaces, Roundabout Theatre Company, Shakespeare, Shakespeare in the Park, Symphony Space, The Mint Theatre, The Public Theater, theatrical

In Retrospect


By Georges Jansoone (JoJan) [GFDL ( or CC BY-SA 4.0 (, from Wikimedia Commons
Daily Prompt: Retrospective

“The past is prologue….” It’s a saying that suggests we learn from what has transpired before. At the theater, we certainly try hard to look at history and see where it has gotten us, how we approached our problems, what solutions were on offer. Great thinkers–and dramatists are definitely philosophers in action– have made their suggestions clear.

Shakespeare confronted every manner of political upheaval as well as all the dystopias of the soul. We regularly worship at his altar. This year, The Public Theater puts on a summer in the park season with his Othello and Twelfth Night.

George Bernard Shaw looked at askew the world from a totally original perspective. The Gingold Theatrical Group celebrates his musings in their regular Project Shaw series at Symphony Space and with Shaw Club meetings on Mondays. Manhattan Theater Company and the Roundabout folks have tackled Shaw over the years with productions of Major Barbara and, currently on stage at MTC’s Friedman, Saint Joan.

The roiling and effervescent stories told by James Joyce in Finnegan’s Wake are part of the annual Bloomsday readings, here in New York with one at Bloom’s Tavern and the other at the above mentioned Symphony Space. The Bloom’s Tavern event is coordinated through Origin Theatre Company and includes both celebrities and an Irish breakfast. To be more exacting, it also features a of the Joyce period costume contest.



Posted in Bloom's day, Bloomsday, James Joyce

One bloomin’ grand day


The Irish have given English its heart, wit and a pleasant-to-the-ear lilt. They have a smart and soulful way with the English language, which is celebrated, in part, by the annual reading of James Joyce’s masterwork, Ulysses.

What better place to honor Bloomsday than at Bloom’s Tavern, one of several New York hang-outs for Joyce’s (or is Harold Bloom’s) big day? The 2016 Bloomsday celebration was also the centenniel of Irish independency. “Origin’s 3rd Bloom… @ Bloom’s Tavern of Course!” is organized by  Origin Theatre Company.  There was music by the Irish-folk-rock troubadour Alan Gogarty; actors in costume greeted visitors for a feast of an Irish breakfast. As is the custom on Bloomsday, actors recreate the summer morning chronicled by James Joyce in Ulysses set in Dublin on June 16, 112 years ago.

Reading from the magnum opus were, among others, Fionnula Flanagan, Malachy McCourt, Alfie McCourt, author Colin Broderick and actors Terry Donnolly, Patrick Fitzgerald, Brenda Meaney,  and Fiona Walsh. Also on hand for the festivities was David Staller, champion of all things Shavian, and Charlotte Moore, doyenne of the Irish Rep. Jonathan Brielle, author, composer and lyricist of Himself and Nora  introduced the musical through songs performed by its stars, Matt Bogart and Whitney Bashor.

Joyce coined the idea of Bloomsday, himself, inaugurating the event on June 16, 1924.
The cast and presenters at the 2016  “Origin’s 3rd Bloom…” carried the tradition of the day forward with reverence and humor.

You may be interested in hearing what we’ve said about past Bloomsday celebrations as well: Read The New Yorker‘s analysis of what is or is no longer shocking about Joyce’s shocking book.