Posted in Berry Gordy, Bette Midler, Cicely Tyson, Cinderella, Cuba Goodng Jr, Father's Day, Rodgers and Hammerstein, Sue Mengers, The trip to Bountful

What are you doing this weekend? A few select suggestions:

 See Bette Midler play Sue Mengers, or go see “Motown The Musical” or you could head home to Bountiful, TX…. 

Bette Midler is the perfect hostess in “I’ll Eat You Last,” as she invites the audience into her home, well, Sue Mengers’ home.  Click above for review and details, but there are only a few performances left, and honestly, you should not miss this one. Closing June 30th.

Love the music that came out of Detroit in the late ’50s and early ’60s? Come relive the era with “Motown The Musical.” Tickets aren’t discounted on the usual sites, but go ahead and treat yourself after you click on the links for our reviews, at any rate. (See also, Gordy Tells His Story on VP as well as the review on this site.)

There are discounts for “The Trip To Bountiful,” for which Cicely Tyson won the Tony. (For discounts check on, among others.) Cuba Gooding, Jr. makes his stage debut in this lovely production.

Off-Broadway, there’s “Cornelius” by JB Priestley at 59E59 Theaters’ Brits Off Broadway. The play takes place during tough economic times during the 1930s, but you can relate, right? [Also closing on June 30th.]

Alan Cox and Col Farrell in J.B. Priestley’s “Cornelius,” directed by Sam Yates, part of Brits Off Broadway at 59E59 Theaters. Photo by Carol Rosegg.

It plays only on Wednesdays, but plan to attend a matinee or evening performance before July 31st:
“Unbroken Circle” (review) at the St Luke’s Theatre.
Photo by Bill Selby

Looking for romance and dancing? “Rodgers + Hammerstein’s Cinderella” can take you on a waltz-filled adventure. It won a Tony for the spectacular costumers, but it’s a genuinely enjoyable production.

Looking for something a bit … smaller? St Ann’s Warehouse in Dumbo is celebrating toy theater from June 14th to the 23rd. It’s the Tenth International ToyTheater Festival. Check it out. Photo below is courtesy

Great Small Works, and features Barbara Steinitz and Bjorn Kollin presenting “Schnurzpiepegal,” a picture book that comes alive. 

Another highlight of the festival is Janie Geiser’s “The Reptile Under the Flowers,” which incorporates mechanical objects, puppetry, small projections in twelve diorama scenes of a peepshow spectacle. Don’t know about you but “Toy Theater” appeals to my love of minatures.

Janie Geiser’s “The Reptile Under the Flowers,” courtesy Great Small Works

Posted in Cicely Tyson, Cuba Goodng Jr, family drama, Horton Foote, The trip to Bountful, Vanessa Williams

This "Trip" Is More Than Worth The Fare!

Cicely Tyson is Mrs. Carrie Watts in  Horton Foote’s“The Trip To Bountiful.” Photo by Joan Marcus 

Home can have a powerful pull on a body.

Horton Foote’s “The Trip To Bountful,” at the Stephen Sondheim Theatre through July 7, is a tale of yearning to return.

Cicely Tyson as Mrs. Carrie Watts with Condola Rashid as Thelma in the revival of “The Trip To Bountiful.”
Photo by Joan Marcus.

Mrs. Carrie Watts (Cicely Tyson) wants to go back, away from the bickering old woman she’s become. Her frivolous daughter-in-law Jessie Mae (Vanessa Williams) provokes her to be her worst self. Ludie (Cuba Gooding, Jr.), her son, is sweet and ineffectual. Mrs. Watts’ life with them in a two-room apartment in  has her longing for her childhood home in Bountiful. The farm town may as well have been named in irony; there is nothing left of it since it’s soil blighted by overuse. To Mrs. Watts, it is a wonderful memory she longs to revisit before she dies.

Vanessa Williams and Cuba Gooding, Jr. Photo by Joan Marcus.

“I think Ludie knows how I feel about getting back to Bountiful. Once when I was talking about something we did back there in the old days, he burst out crying. He was so overcome he had to leave the room,” she tells Thelma (Condola Rashid), a stranger who befriends her during her “escape” from Houston.

Cicely Tyson and Cuba Goofing, Jr. in “The Trip To Bountiful” in a photo by Joan Marcus.

In the interest of full disclosure, “The Trip To Bountiful” is a personal favorite among Horton Foote’s extensive repertoire. Foote’s first producd play dates back to 1941 with the off-Broadway production of  “Texas Town.” (A theme revisited in Primary Stages production of “Harrison, TX.”) Foote, who died in 2009, had a long and much-feted career, with many a Broadway hit; Foote was the recipient of numerous awards — including the one bestowed by the Academny of Motion Picture Arts and Sciences.

Tom Wopat is charming in a small role as Sheriff . Photo by Joan Marcus.

This superb cast, anchored by the outstanding Cicely Tyson, with strong performances by Vanessa Williams and Cuba Gooding, Jr. bring Foote’s lovely tale to its fullest flower.

Tyson’s many awards over her illustrious career, including Emmys and a star on the Hollywood Walk of Fame. Her Broadway appearances began in the late 1950s, as an understudy in “Jolly’s Progress,” and included the 1983 production of “The Corn is Green,” and a few performances (once as a host) at Tony celebrations over the years. There already is a lot of chatter suggesting she might win this year’s Tony!

You would not know it while watching Cuba Gooding, Jr.’s nuanced performance as Ludie that this is the Academy Award winner’s stage debut. On the other hand, Vanessa Williams, a multi-Grammy award winner, has plenty of experience acting in theater; in 2002, she got a Tony nod for her portrayal of the Witch in the revival of the Sondheim “Into The Woods.” Up-and-comer Condola Rashid,  Tony-nominated for her role in “Stick Fly” in 2012, doles out a pitch-perfect performance.

When we come to Bountiful, the scenic design by Jeff Cowie is bucolically pictorial, giving a pastoral beauty to the town of Mrs. Watts’ memories. For lovers of the technical, there is a suspended cross-section
of a travelling bus, under the supervision of Hudson Theatrical Associates.  In Houston, Cowie’s set describes the oppression of a cramped apartment, giving the stars a small space in which to work. The Watts’ ground floor is overladen with the darkened windows of neighbors above them. Note the nod to the color of the casting, and the times of the play, set in Texas in 1953, in the sign pointing to the White Waiting Room at the bus depot.

Under Michael Wilson’s direction, there isn’t a misstep in the journey of “The Trip To Bountiful.” Go and spend an evening travelling in the world Horton Foote has created.

For more information on “The Trip To Bountiful,” please go to The Trip To Bountiful on Broadway.