Posted in #classism, #critique, #dystopia, #immersive-theater, #pointofview, activists, adaptation, Aditya Rawal, allegory, avant garde, Baruch Performing Arts Center, based on a novel, Brandon Walker, dark drama, drama, dysfunction, ensemble acting, equality, Erin Cronican, Ethan E. Litwin, experiments in theater, farce, George Bernard Shaw, Gingold Theatrical Group, Gwynn MacDonald, issue play, Jay O. Sanders, Kinding Sindaw Melayu, LaMama, Maryann Plunkett, off Broadway, opinion, play, political drama, politically inspired, politics, Potri Ranka Manis, premieres, refugees, riff, Siachen, storytelling, theater, theater for the common good, theatron or The Seeing Place, timely drama

All creatures, large and small

Theater can be distanced, ie by not breaking the fourth wall. It can be immersive, like Tamara at the Park Avenue Armory back in the day, or the McKittrick Hotel programs, Sleep No More or Woman in Black happening now. Audiences sit in the round, or follow the players from room to room, or sit in front of the proscenium, or on stage.

Form and presentation may contribute to the experimental nature of a play. Subject matters in making theater a relevant comment on our times.

These times need a healthy dose of cynical analysis and profound soul-searching. “All animals are equal,” George Orwell says in Animal Farm, “but some are more equal than others.” The Seeing Place, a ten year old theater collective, kicks off the season with a modern adaptation by Brandon Walker of Orwell’s novel.

The theme for this year is the Body Politic, and its Animal Farm focuses on drawing out the ways in which we are susceptible to the collective power of a group. The line between community and a folie à tous is subtle.

Executive Artistic Director, Erin Cronican says of TSP’s production; “By creating this play for just four actors playing 28 characters, we shine a spotlight on the malleability of people’s opinions and desires, which often depend upon who is in charge and what is promised to them.”

Another exploration of present day politics can be found in the works-in-process Siachen at Baruch Performing Arts Center, from April 30 through May 2. This anti-war play, written by Aditya Rawal, takes us to India’s disputed Kashmir region where a group of soldiers awaits rescue. Gwynn MacDonald directs.

George Bernard Shaw was a principled man, whose ideals of humanitarianism and universal human rights were a creed underpinning everything he wrote. His politics were always in evidence in his dramas. The Gingold Theatrical Group’s annual party, the Golden Shamrock Gala 2020, takes place on Monday, March 16th; they will be honoring Maryann Plunkett, Jay O. Sanders, and Ethan E. Litwin. The Gingold Theatrical Group creates theater in the activist spirit of GBS with regularly scheduled events through the year.

Kinding Sindaw – Photos by Josef Pinlac
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LaMaMa, the mother of experimental theater, hosts a play appropriate for our time. Pananadem (Remembering) is about refugees brought to these shores by the Filipino troupe Kinding Sindaw. Potri Ranka Manis, the Founder and Artistic Director of Kinding Sindaw is the creative and choreographer behind this production, running from March 12th through March 15th in a New York premiere. The work uses the tradition of myth to capture the experience of the displaced.

Posted in #classism, #dystopia, #PRIDE, Center for Performance Research, Chris Cragin-Day, Classic Stage Company, CPR, Earth Day, Emily Daly, environmental degradation, Lauren DiGiulio, Marc Blizstein, Orson Welles, racism, social media, The Cradle Will Rock, unions, workshops

Troubled times

Natalia Plaza and Zac Owens in The Rare Biosphere

Sometimes, we need a little CPR as a theriac for snakebitten times.

The CPR in question here is the Center for Performance Research which is presenting its New Voices in Live Performance programs for 2019. Their announcement appropriately crossed our desk on Earth Day today, April 22nd, so Walking with Water, which centers around environmental issues, questions of racism and justice, and restoring our planet sounds like the balm we need. It is what Aya Lane + Jess Jupiter are curating for June 1 -2. (Re)Patterning Performance is Lauren DiGiulio’s curation on June 7-9.

Workshops, explorations, multi-media performances all appear on the bill.
(We’ve sent you to the Center for Performance Research in the past.) Details can be found at the CPR website.

Photo by Gabriel Frye-Behar from #yourmemorial

The shock of our dystopias seems to be wearing us down with diurnal injustices. Artists among us continue to struggle to make sense of it all. And to help us make our way through.

Theater artists in particular are organizing tales for our edification. Their efforts are appreciated, if sometimes fraught.

The Rare Biosphere is a “ripped from the headlines” story about a teenager who comes home to find her parents have been deported. Playwright Chris Cragin-Day intends to give the political a personal face in this timely new work, playing from April 25th through May 19th at Calvary St. George’s.

Despite the fact that we consider ourselves a class-less society, classism is an enduring issue in American life. Classic Stage Company (CSC) is staging an endictment of capitalism’s greatest flaw, inequality, The Cradle Will Rock written in 1937 and originally produced by Orson Welles. Marc Blizstein’s play in music was shut down by federal authoriites who feared its pro-labor stance just prior to opening night . CSC’s Artistic Director, John Doyle is at the helm of this 10-person production.

The internet has no real precursor in our lives. #yourmemorial by Emily Daly reacts to issues that only arise from what we so laughably call social media. This world premiere is produced by Pigeonholed from May 9th through 26th.

A series of PRIDE events at the Educational Alliance in association with the 14th Street Y celebrate diversity as Live Free, Love Fierce from May 31 through July 1.

This is a short list of a very few upcoming shows meant to cure what ails us. The sideshow in government and performed by a parade of politicians continues. You can follow that mostly on CNN and other cable news outlets.