History can sometimes revel in a very personal dynamic.
For instance, those of us who lived through and joined in protests against the Vietnam War may not share the viewpoint of the main character in Qui Nguyen’s Vietgone, currently playing at MTC’s City Center Stage I through December 4th.
Quang (Raymond Lee) was a pilot in the South Vietnamese armed forces. He was trained in the United States. He saw the North Vietnamese as a genuine threat to life and liberty and welcomed the help of American soldiers in the struggle.
Vietgone is a fast-paced kind-of-multi-media excursion into the hero’s and heroine’s, Tong (Jennifer Ikeda), survival. They meet at a state-side refugee camp where Tong and her mother (Samantha Quan, in a number of roles) have come after the fall of Saigon.
The piece is, and isn’t, narrated by the Playwright (Paco Tolson, also playing several people), who is commemorating his parents’ story. There are rapped love songs, (original music by Shane Rettig) motorcycles, a roadtrip, and a bromance– all trappings to some extent of the era portrayed in the plot.
For the most part, Vietgone is entertaining, interesting, unusual in structure, and well presented. There is room for some cuts here and there. The cast, under May Adrales’ direction, and staging, with scenic designs by Tim Mackabee and projection design by Jared Mezzocchi, are excellent.
In other subscription house news from our household:
Roundabout’s Love, Love, Love (reviewed earlier and playing through 12/18) can make us feel guilty first for Brexit and now Trump as it portrays boomers resting in reactionary comfort.
Over at Studio 54 througfh January 15, 2017, Roundabout has mounted a vehicle for nostalgia. Holiday Inn, with no irony whatsoever, cries out for Mickey and Judy. It is well-served by the cast on hand, however, and a pleasantly tuneful production makes for a great afternoon at the movies, er theater.Bryce Pinkham and Corbin Bleu are the friends and dancing partners, along with Megan Sikora, and Lora Lee Gayer who lead the ensemble in song and dance.
MTC gives us Heisenberg at its Broadway venue, the Friedman Theatre through December 11th. Why Heisenberg? The play, so well-acted by Denis Arndt and Mary-Louise Parker as to have one puzzling over the quantum physics of it name, is an enjoyable two-hander. It’s gimmicky staging notwithstanding, the dynamic of the drama is captivating. Heisenberg is a sweet-crazy story, written by Simon Stephens, the pen behind The Curious Incident of the Dog in the Night-Time. Heisenberg was a transfer from Off-Off, and as such had some buzziness surrounding it.Director Mark Brokaw elicits strong performances from both his actors. Parker, who unleashes the odd-ball in her character in little bursts, is fun to watch.Arndt’s charm reveals how a pent-up man can suddenly be both impetuous and child-like. So, back to the title: Heisenberg has an underlying if small principle of uncertainty that you will likely enjoy.