Is it true that youth is wasted on the young? Perhaps not, at least this group of youngsters is making the most of their time and talents. And yes, I am a little jealous.
There is a good deal to be said for getting an early start. Youth is lithe and agile. It is a great season for dancing, Movement can be the lingua franca for the young; it is their body language as it were.
Ellen Robbins’ Dances By Very Young Choreographers at Live Arts, on January 26th and 27th, will be showcasing works by children as young as 8. The dance-makers, ranging in age from 8 to 18, study modern dance and choreography with Ms. Robbins.
The program ranges across the many styles of dance performance, from the humorous, narrative, to the lyrical. The music selections, chosen by the choreographers, include folk, jazz, classical, contemporary.
Ellen Robbins has been teaching dance sine 1966 and has received honors for her work with children. She has taught dance education at Sarah Lawrence and been on the faculties of Bennington College, the 92nd Street Y, and other distinguished institutions. In 2001, Dances By Very Young Choreographers was on the program at the Jacob’s Pillow Dance Festival.
After the matinee on January 26th, there will be an evening concert by the Alumni of Dances by Very Young Choreographers, which presents work by dancers who studied with Robbins from 1982 to 2016.
With Columbus experiencing a re-think, historically speaking, the mnemonic fed us as children seems less and less useful.
Forget the Nina, the Pinta, and “fourteen hundred and ninety two.” Sit back while Professor Leguizamo gives you a lesson in Latin History for Morons, playing at Studio 54 through February 25, 2018.
Teaching dummies about Latinos has been a John Leguizamo Broadway (and off) project for some time. 2011’s Ghetto Klown was not the first time he scored points on how little we non-Latinos know about his people. As in his Tony-nominated Freak, he talks about the deeply personal in Ghetto Klown, while revealing interesting tidbits about his Hollywood exploits. The confessional tone of many of his previous stage outings is on display in Latin History for Morons as well.
If we did not like Leguizamo so well, we might resent being called Morons, but we’ll let it pass. It must be galling to hail from one of the Hispanic isles — the Bronx or P.R. for example–and have us flaunt the myth that America was “discovered” by an Italian in service to his Spanish Queen. On top of that we’re yelling “speak English” these days and building walls to keep out other Latino groups.
Sure, his is a one-man show, but Leguizamo can’t do it all by himself. Latin History for Morons is directed by Tony Taccone, with sets by Rachel Hauck, costumes by Luke McDonough and original music/sound design by Bray Poor, and lights by Alexander V. Nichols.