Posted in love, love story, Romeo and Juliet, timeless tale

Where for art thou?

temple 300dpi 5x5 FINAL
Logo from Temple of the Souls

Forbidden love, star-crossed love, these are timeless stories and often go under the rubric Romeo & Juliet. The Shakespeare tragedy, itself derived from an older tale, has spawned many modern adaptations and imitations. The musical West Side Story, set in New York where the feuding Montagues and Capulets are replaced by rival gangs, is famously based on the Bard’s play.

Temple of the Souls, a new musical with book by Anita Velez-Mitchell (and story), Lorca Peress and Anika Paris, and music and lyrics by Anika Paris and Dean Landon, at the NYMF in July,  uses time travel to depict the history of Puerto Rico, a country whose people are descendents of an indigenous Indian nation mixed with the occupying Spaniards. It is also about star-crossed lovers, a young Taino man (Andres Quintero) and the daughter (Noellia Hernandez) of a Conquistador (Danny Bolero.)

To learn more about Temple of the Souls, please visit www.templeofthesouls.com.

Posted in acceptance, adultery, aspiration, comedy-drama, committment, couples, dalliance, dramedy, infedility, love, love story, loyalty, premieres, romance, serious comedy, The Mint Theatre

Monogamy

Is it really cheating if your spouse approves your infidelity?

Creatives    Directing Jonathan Bank     Sets Carolyn Mraz     Costumes Hunter Kaczorowski     Lights Xavier Pierce     Original Music & Sound Jane Shaw     Projections Katherine Freer     Props Joshua Yocom     Casting Stephanie Klapper, CSA     Product
Max von Essen and Elisabeth Gray in Yours Unfaithfully by Miles Malleson. Photo © Richard Termine.

Exploring the conventions of marriage and the humbug of monogamy, Miles Malleson wrote and published Yours Unfaithfully in 1933. Mint Theater Company is giving this charming and disarming comedy/drama a premiere showing through February 18th, under the direction of Jonathon Bank. For this discovery, we owe them a great thanks.

Creatives    Directing Jonathan Bank     Sets Carolyn Mraz     Costumes Hunter Kaczorowski     Lights Xavier Pierce     Original Music & Sound Jane Shaw     Projections Katherine Freer     Props Joshua Yocom     Casting Stephanie Klapper, CSA     Product
Max von Essen and Mikaela Izquierdo in Yours Unfaithfully by Miles Malleson. Photo © Richard Termine

 

 

Stephen Meredith (Max von Essen) is blissfully enjoying his wife’s beneficence. Anne (Elisabeth Gray) has given her blessing for him to “get into some mischief” with Diana Streathfield (Mikaela Izquierdo) in the hope that an affair would rejuvenate Stephen and end his writer’s block.

Neither she nor Stephen imagine any other consequence. They are acting on their convictions that a strong marriage can withstand other and lesser alliances, just as Stephen’s father, the Rev. Meredith (Stephen Schnetzer) acts on his principles when he is shocked to learn of Stephen and Diana’s dalliance. Anne’s confidant and the Merediths’ friend, Dr. Alan Kirby (Todd Cerveris) preaches the counterbalance of the head to the heart.

The brilliantly deft production of Yours Unfaithfully is a welcome addition to the Mint archive. As is customary in a Mint production, sets and costumes have a panache as well. The scenic (by Carolyn Mraz) and costume (by Hunter Kaczorowski) design are admirable. The top-notch ensemble brings Malleson’s smart vision to life with an easy flair. It’s a tribute to all involved that one can’t peg Yours Unfaithfully as  drama, or drawing-room comedy; it transcends labels and stands on its own.

For more information and tickets, please visit the Mint website.

 

Posted in adaptation, based on Chekhov, comedy-drama, drama, ensemble acting, favorites, friendship, girls, growing up, love story, loyalty, Playwritghts Horizons, romantic comedy, Roundabout Theatre Company, soccer, The Duke, The Mint Theatre

Short takes

Here are three shows playing “off-Broadway” but in the Times Square area you may find of interest: The Wolves at the Duke on 42nd, Yours Unfaithfully at the always brilliant Mint at Theatre Row’s Beckett Theatre, and Rancho Viejo at Playwrights Horizons.

Comeback Kids

Sports-themed stories are compelling because they are usually about fair play and, well, sportsmanship.

Sarah DeLappe’s The Wolves takes place during practice sessions of a suburban girls’ soccer team as they chat, gossip, and warm-up. Part of the appeal of this show is that  The Wolves is in a reprise production at The Duke on 42nd Street through December 29th; its last sold-out run was this past August and September. It made an impact then, and it looks to make one this holiday season as well.

If you love something, set it free

The Mint is staging  Yours Unfaithfully, the never before produced comedy by Miles Malleson. The play was published in 1933 but never staged until now, when it will get its world premiere beginning on December 27th and running through February 18th at Theatre Row’s Beckett.

Malleson, an actor, playwright, screenwriter, and freethinker seems to have written about the open marriage in Yours Unfaithfully from his life experience, but this production offers much more than voyeuristic interest. Bertrand Russell reviewed the published play as being full of “humor and kindness” and “free from any taint of propaganda.” The high standards of a Mint Theatre production should bring this “well-constructed” work to life.

Neighborly

At Playwrights Horizons, Dan LeFranc brings Rancho Viejo, a small-town and its relationships and interactions to the stage. If his earlier play, The Big Meal is any indication of where he’ll be taking us, this should be an interesting journey.

Rancho Viejo, through December 23rd at the Mainstage, explores how what we do affects our friends and neighbors, who may be total strangers to us. (Check out our review of this very entertaining new play.)


Over at the American Airlines Theatre, Stephen Karam tweaked Chekhov. The Cherry Orchard, which closed on December 4th, is a challenge, as is much of Chekhov. There is melancholy mixed with hilarity in the oeuvre and it does not always play as either funny or tragic. Diane Lane (Ranevskaya) and John Glover (Gaev). the plutocratic and impoverished owners of the property at the center of the play, achieve some level of mixed despair and hysteria.

The production had its faults, and some highlights which included the second act masquerade ball with musicians (Bryaqn Hernandez-Luch, Liam Burke, Chihiro Shibayam, coordinated by John Miller) on stage. There is original music by Nico Muhly.

And most interesting is the color-blind casting in which Chuck Cooper is Pischik, a landowner always looking for a handout, and Maurice Jones is Ranevskaya’s favorite Yasha. Harold Perrineau as Lopakhin, the son of a serf who wins the estate at auction, is a particular standout in the cast.


News from the annoyance front: Impolite theater-goers of the umpteenth degree spotted recently at a matinee of The Cherry Orchard were talking quite loudly. When asked to sush, the response was “Other people are talking.” The other people in question were the characters on stage, I swear.

Also in the Roundabout repertory for this season was the frothy and likeable Holiday Inn, at Studio 54 through January 15th.

Posted in drama, family drama, love story, Roundabout Theatre Company, theater

Boom boom boom

Love Love Love OFF BROADWAYDRAMA LAURA PELS THEATRE 111 W. 46TH S., NEW YORK, NY 10036 Sparked in the haze of the 60s, Love Love Love explores a relationship charred by today's brutal reality, paranoia and passion. Starring: Richard Armitage, Alex Hurt, Zoe Kazan, Ben Rosenfield, Amy Ryan Director: Michael Mayer PLAYWRIGHT: MIKE BARTLETT
Love Love Love Richard Armitage, Amy Ryan, and Alex Hurt Director btMichael Mayer; Play by Mike Bartlett Photo by Joan Marcus
Love Love Love OFF BROADWAYDRAMA LAURA PELS THEATRE 111 W. 46TH S., NEW YORK, NY 10036 Sparked in the haze of the 60s, Love Love Love explores a relationship charred by today's brutal reality, paranoia and passion. Starring: Richard Armitage, Alex Hurt, Zoe Kazan, Ben Rosenfield, Amy Ryan Director: Michael Mayer PLAYWRIGHT: MIKE BARTLETT
Love Love Love Richard Armitage, Amy Ryan, Ben Rosenfield and, Zoe Kazan. Photo by Joan Marcus

One of the many pleasures of theater is when the familiar turns into the unexpected.

When there’s Beatles’ songs, and a character starts rolling a joint, it’s clearly shorthand for the ’60s. And where do we go from the youthful exuberance of that era?

Playwright Mike Bartlett paints an unsentimental portrait of the generation that emerged from the summer of love. Can the disruption promised by the3 enthusiasms of the young be delivered?

Love Love Love OFF BROADWAYDRAMA LAURA PELS THEATRE 111 W. 46TH S., NEW YORK, NY 10036 Sparked in the haze of the 60s, Love Love Love explores a relationship charred by today's brutal reality, paranoia and passion. Starring: Richard Armitage, Alex Hurt, Zoe Kazan, Ben Rosenfield, Amy Ryan Director: Michael Mayer PLAYWRIGHT: MIKE BARTLETT
Richard Armitage, and Amy Ryan in a scene from Love Love Love. Photo by Joan Marcus.
Love Love Love OFF BROADWAYDRAMA LAURA PELS THEATRE 111 W. 46TH S., NEW YORK, NY 10036 Sparked in the haze of the 60s, Love Love Love explores a relationship charred by today's brutal reality, paranoia and passion. Starring: Richard Armitage, Alex Hurt, Zoe Kazan, Ben Rosenfield, Amy Ryan Director: Michael Mayer PLAYWRIGHT: MIKE BARTLETT
A scene from Love Love Love with Richard Armitage and Amy Ryan. Photo by Joan Marcus.

Love, Love, Love at Roundabout’s Laura Pels Theatre through December 18th, looks at what happens when the pendulum moves and years pass.

While Henry (Alex Hurt) fancies Sandra (Amy Ryan), his brother Ken (Richard Armitage) is the one she hones in on. Ken is at Oxford as she is, and Henry is just a working bloke. At 19, Sandra knows what she wants, weed and freedom.

Twenty years on, the revolutionary road has led Ken and Sandra to a home in the suburbs with two teenage kids, Jamie (Ben Rosenfield) and Rose (Zoe Kazan). Through it all, Ken and Sandra, still cheerful, seem unfazed by time and change. How have their offspring fared?

Boomers, take note, we might not have succeeded in saving the planet.

Walk down the path with Love, Love, Love to its clear-eyed and unflattering conclusion. It will prove most rewarding. We are always impressed by what Roundabout offers visually in its off-Broadway productions, and the sets by Derek McLane and time-inspired costuming by Susan Hilferty are no exception.

Michael Meyer deftly directs his flawless ensemble in Love, Love, Love. Richard Armitage and Amy Ryan stand out for their

Posted in based on a true story or event, love story, musical theater, theater

Incandescent

There is an all-American breed of comic who is not just a clown but also a genius.

Steve Martin is one of these. He has a brilliant and inventive mind. He is not merely clever, but he’s also erudite. Along with songwriter Edie Brickell, Martin has won a Grammy for Best Original American Roots Song for the album that inspired the musical Bright Star currently enjoying an open run at the Cort Theatre.

The musical, an indigenous art form as American as opera is Italian (or French, depending on your point of view,) has never before been entrusted to this particular native musical genre: Bright Star is Broadway’s first blue-grass musical.

Carmen Cusack and company of Bright Star. Photo by Nick Stokes
Carmen Cusack and company of Bright Star. Photo by Nick Stokes

It’s not a completely original story– it’s billed as being “inspired by a true event”– but it is told with complete originality. Rob Berman and his band of merry men and women provide tuneful accompaniment from inside the cabin on stage. The hoedown that opens the second act is not the only crowd pleaser in Bright Star.

Broadway newbie, Carmen Cusack who stars as Alice in Bright Star, and her co-star Paul Alexander Nolan as Jimmy Ray both deserve the wild applause that greet them. A.J. Shively as Billy Cane and Emily Padgett as Lucy are also natural stand outs. In fact, the entire cast and ensemble are all glorious. Director Walter Bobbie has everyone moving with graceful ease in, around and through Eugene Lee’s excellent minimalist sets. Josh Rhodes provides appropriately country-style dance numbers.

For tickets and information, please visit www.brightstarmusical.com/

Dateline, May 26, 2016: see also the review on VevlynsPen.com at The Wright Wreport.

 

 

Posted in #benefit, love story, opera

Dido’s lament

Once upon a time, if you were educated, then you were educated in the Greco-Roman past. Myths and tales of wandering heroes were common inspiration for poets and composers.

Dido and Aeneas is an English Baroque opera, written sometime between 1684 and 1688 and first performed in 1689 at a London girl’s school. It is Henry Purcell’s most dramatic work, and also the first opera he composed.

Dido and Aeneas, based on the 4th book of Virgil’s Aeneid, has a text filled with witches and sailors, and recounts Dido’s dispair when Aeneas forsakes her.

from http://www.nycitycenter.org/tickets/productionNew.aspx?performanceNumber=9518#.Vt39V_krLVU
from http://www.nycitycenter.org/tickets/productionNew.aspx?performanceNumber=9518#.Vt39V_krLVU

MasterVocies, formerly the Collegiate Chorale, will be putting on Purcell’s (music) and Nahum Tate’s (libretto) Dido and Aeneas, starring Kelli O’Hara, Victoria Clark, Elliot Madore, and Anna Christy. The opera has lost its prologue, so it the missing music will be replaced with a world premiere companion work by Michael John LaChiusa. The Orchestra of St. Luke’s will be conducted by Ted Sperling with choreography and direction by Doug Varone.

The two night programs, at New York City Center, on Thursday April 28th at 7pm and on Friday April 29th at 8pm, include a gala (the 28th).

For information about MasterVoices, please visit the New York City Center website or http://mastervoices.org/

Posted in avant garde, dance, love story, theater

Romance and Dance Just Around the Bend

Love is eccentric. It often erupts in or from unresolved disagreements and conflicts.

Some “lessons” about the messy nature of romance were witnessed first-hand by author Ellen Maddow in her role as a mediator in Brooklyn Civil Court.

Maddow applies what she learned to create the chaotic music-filled comedy, Burnished by Grief-A Romantic Comedy, at La MaMa’s first floor theater from January 22–February 7,  in which she investigates the symphonic beauty of cramped New York City life.

Burnished by Grief, written and composed by Maddow and directed by Paul Zimet, partners since 1974 in the Talking Band,  one of the city’s foremost avant-garde theaters.   La MaMa joins with Talking Band to present the world premiere of Burnished by Grief, an offbeat and disturbing romantic comedy.

DRUNKThe creative team—including Anna Kiraly (Set and Video Designer), Kiki Smith (Costume Designer), Lenore Doxsee (Lighting Designer), and Tim Schellenbaum (Sound Design) – will transform LaMaMa’s First Floor Theater into a prismatic and halucinatory Brooklyn with a backyard surrounded by peering neighbors and stationery bikes in the midst of the disarray of a traffic island.

Visit www.lamama.org to find out more about Burnished by Grief.

Love is a form of intoxication for some. LABAlive presents Drunkan Evening of Wine, Jewish Text Study, Art, Music, Theater and Imbibing at the 14th Street Y on January 21, explores the more traditional kinds of inebriation. LABA: A Laboratory for Jewish Culture presents this event in which wine is paired with scriptural text.

To find out more about LABA and Drunk, visit http://www.labajournal.com/drunk.

There are additional January off-Broadway “treats” at http://wp.me/p5jq0w-FA

Sometimes love and art marry. Bob Fosse, for instance, was not just influenced by Jack Cole, the legendary “inventor” of the theatrical jazz style of which Fosse, along with Jerome Robbins, Alvin Ailey, and Gower Champion, was a practitioner, he also married Cole’s assistant, Gwen Verdon.

From January 20 through February 4, MOMA presents a film (series) tribute to Jack Cole, All That Jack (Cole). Cole’s style of dance–combining elements from ethnic, ballet and popular dance idioms– is what we have come to  expect on stage and screen.

For a schedule, please visit the MOMA calendar.

Speaking of dance… and dance on film:

Movies by Movers will merge with The American Dance Festival’s International Screendance Festival to become ADF’s Movies by Movers. Directed by Cara
Hagan, ADF’s Movies by Movers will be a festival dedicated to the exploration and celebration of human movement in film and digital media. The festival will hold screenings in Durham, NC during ADF’s season and in Boone, NC in September.

 

Teach your children well:

Exposure to dance performances can be a formative experience for youngsters.

A new initiative by Paul Taylor’s American Modern Dance (PTAMD) called the Tier 3: Arnhold Dance Education and Audience Development Initiative is a free program introducing New York City students K-12 to modern dance.  After its success as a pilot program last year, Tier 3 will invite New York City teachers, administrators, principals, students, and parents joined PTAMD to experience great works of modern dance at the highest standard of excellence—performed by amazing dancers, with live music, at one of the world’s greatest dance venues, free of charge to PTAMD’s annual New York Season at the Koch Theater at Lincoln Center in March.

Tier 3 will also make available a customized Study Guide that contains primary source material, critical thought provokers, and links to video documentation and will give teachers an opportunity to attend a Professional Development workshop to deepen their understanding of the modern dance genre so they can maximize the benefits of the performance component when following up in their classrooms.

About the (PTAMD) Spring season:
Paul Taylor’s American Modern Dance opens its annual Season at the David H. Koch Theater at Lincoln Center in New York, on March 16. (It runs through April 3.)

The prolific Paul Taylor presents his 143rd dance, Sullivaniana, and his 144th work, Dilly Dilly this spring.

Taylor Company Commissions, initiative Paul Taylor has undertaken to ensure that the vitality of modern dance continues, will feature commissioned world premieres of dances by Larry Keigwin and Doug Elkins.

To honor the Martha Graham Company’s 90th Anniversary, Paul Taylor chose to present her Diversion of Angels during the seven seasons he danced with the Martha Graham company beginning in 1955. Helping him oversee the production, to be staged by Blakeley White-McGuire and Tadej Brdnik, will be Linda Hodes, Taylor’s partner in Diversion of Angels. and who was the founding Director of Taylor 2 in 1993.

Rainbow ’Round My Shoulder, Donald McKayle’s 1959 signature work, depicting workers on a chain-gang, is another historical masterpiece that will be on the Season’s programs; Dayton Contemporary Dance Company will perform.

Music will be performed live by the renowned Orchestra of St. Luke’s, conducted by long-time Taylor Music Director, Donald York.

To learn more about the PTAMD New York Season, please visit http://ptamd.org/LC2016/