In no way does humor (or a good beat) trivialize the necessity for a cognizant citizenry. Theater can use the power of laughter to foster and encourage us towards a better world. Ionesco was a most politically conscious satirist. Conscience leads the way to express the ideals a regressive government attempts to suppress.
Theater aspiring to inspire has always been with us. Many of us feel the need now more than ever for a side order of politically awareness with our drama. We can be grateful to the many theater artists who look to elucidate while they entertain.
This season, for instance, the New York Musical Theater Festival (NYMF) has several galvanizing works on offer. In Leaving Eden, for instnace, Jenny Waxman (Book and Lyrics) and Ben Page (Music) ask us to envision a more progressive creation (myth) than the strictly Biblical one.
Donald Rupe (Book and Music) and Cesar de la Rosa (Music) offer a historical perspective in Flying Lessons, in which their heroine, an eighth grader named Isabella finds a “recipe for greatness” by looking to the past.
George Bernard Shaw was a forward thinker, and Project Shaw which celebrates his legacy in one-night only productions is showing The Stepmother by Githa Sowerby, a protege of GBS, on July 22nd. The play will undoubtedly present a case for a more “woke” world from a 1920s stance.
This is a short list of a few upcoming shows that offer a vision for a better world. (Click on each to find out where/when to get tickets.) The number of allegories and presentations that have graced our stages over the years is long. Woke theater shows us how matters civic and social sh/could unfold.
Activist theater means someone is speaking for the 99%.