Posted in ambition, anticipation, aspiration, avant garde, based on a true story or event, based on a true story or event and historical documents, based on true events, chronicle, drama based on real events, expectations, fictionalization_of_real_events, historical drama, history, land of opportunity, play, Playwrights Horizons, storytelling, The Debate Society, theater, theater folk

Wonders never cease

The Light YearsPlaywrights Horizons February 17, 2017 – April 02, 2017
Brian Lee Huynh. Photo © Joan Marcus

The 1893 Chicago World’s Fair, properly named the World Columbian Exposition in honor of the 400th anniversary of Columbus’ landing in the Americas, hosted 46 countries and over 25million visitors.

The 690 acres it occupied was a city of industry that represented and presented progress to the world: Juicy Fruit gum, Cream of Wheat and Pabst Blue Ribbon were introduced at the Expo.

A Ferris Wheel, a moving walkway, an electric kitchen that included an automatic dishwasher and printing press for Braille were also innovations first seen at the 1893 Fair.The Colunbian Exposition was also home to a sprawl of original architecture.

The Light YearsPlaywrights Horizons February 17, 2017 – April 02, 2017
Rocco Sisto, Aya Cash and Erik Lochtefeld. Photo © Joan Marcus

In The Light Years, co-written by Hannah Bos and Paul Thureen and directed by Oliver Butler of The Debate Society, this and the subsequent Chicago World’s Fair of 1933 provide the background for a very unusual play. The Light Years  is presented with The Debate Society at Playwrights Horizons where it is playing through April 2nd.

Steele MacKaye (a wonderfully bombastic Rocco Sisto), envisioned an ingenius theater to celebrate the arts at this grand historic event. His 12,000-seat Spectatorium, was designed by the now forgotten theatrical impresario to harness the mechanical and electrical marvels of the time.

The Light YearsPlaywrights Horizons February 17, 2017 – April 02, 2017
Aya Cash, Erik Lochtefeld and Brian Lee Huynh Photo © Joan Marcus

The Light Years is, in part, a love story, highlighted by technology and wonder and spun over 40-years. In it, we are transported to more innocent times, when novelty could inspire and awe was not an unsophisticated or naive response.

In 1893, the story centers on the progress of building and wiring MacKaye’s theater.

Hillary (Erik Lochtefeld in a star turn) and his assistant, Hong Sling (the charismatic Brian Lee Huynh) are the electricians in charge of making the Spectatorium shine. Hillary’s wife, Adeline (the appealing Aya Cash) is a very modern woman, cheerfully pedalling both iced tea and a bicycle.

The Light YearsPlaywrights Horizons February 17, 2017 – April 02, 2017
Aya Cash, Ken Barnett and Graydon Peter Yosowitz. Photo © Joan Marcus

When the scene shifts to 1933, it’s Ruthy (Aya Cash, again) who has to keep her family afloat, flipping pancakes and inspiriting her husband Lou (Ken Barnett, in an excellent awe-shucks mode) through the writing of musical ditties for this Fair’s many commercial enterprises. Their son, Charlie (the already accomplished young Graydon Peter Yosowitz) is smitten with the sensations the Fair promises.

The scenic design by Laura Jellinek and costumes design by  Michael Krass rise beautifully to the majesty of the occasion.

Every part of the theater space is treated to a bit of the performance. There are lights and things that go poof as well as narratives to explicate the drama. The ensemble engage, entertain and instruct.

The Light Years uses some of the devices Steele MacKaye introduced to turn this small-scale production into a grand spectacle.

For more information and tickets, please visit @PHnyc website.

 

 

 

Posted in dance, dance making, drama, drama based on real events, historical drama, Paul Taylor, Paul Taylor American Modern Dance, Paul Taylor Dance Company, Playwrights Horizons, The Debate Society, Uncategorized

What’s up?

1WorldsFairTeslaPresentationWorld’s Fairs are theme parks for progress. The 1893 Columbian Exposition in Chicago, named in honor of Columbus’ landing in the Americas 400 years before, offered marvels never before seen.

 

Naturally it was commerce that drove the innovation. Technology was well represented by the likes of Nikola Tesla (exhibit pictured.)

Spectacles and the arts also set the stage for novelty and inspiration at Chicago’s great fair.  One feature of the 1893 Exposition was theatrical impressario, Steele MacKaye’s visionary Spectatorium which proved to be a costly and extravagant project. (Spoiler alert, don’t click on the link above if you prefer to be surprised.)

Weekend Plans?

The Light Years presented at Playwrights Horizons through April 2nd (opening night is March 13th) finds the personal in this grand historic event. T and B will be there so look for our review of this new work by the experimental troupe, The Debate Society, next week.

For more information on the production (and tickets), please visit the @PHnyc website.

Leaps and bounds

Acrobats, gymnasts and trapeze artists might be dismissed as circus performers, but their skills are undeniable. Those talents when put in the service of thought-provoking materials rise way above. They are often on display in a Paul Taylor season, and we are fortunate to have the 2017 one starting at Lincoln Center today, March 7th, and running through the 26th.

1TrusanvoecGoodePrintempsTaylor’s dancers (and the dances he devises for them) thrill and jump with all their heart and soul. There is abandoned precision in every move. Some of the highlights T and B will share this season are Le Sacre du Printemps (The Rehearsal);  The Weight of Smoke; Lost, Found and Lost; Syzygy and the new The Open Door, among others.

For more information and tickets, please visit the Koch Theater website.