Posted in Daily Prompt, theater, theater about theater, ttheater etiquette

Have faith

Gustav_Klimt_012
By Gustav Klimt – The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH., Public Domain, https://commons.wikimedia.org/w/index.php?curid=153429

via Daily Prompt: Believe

In the theater, it’s about creating make-believe worlds that mimic and explain the real spheres in which we live and love.

We call it, in the tradition of Aristotle, suspension of disbelief when the drama transports us to a new and magical sphere.

Theater is about a special kind of faith.

 

Posted in Playwrights Horizons, Sarah Ruhl, theater, theater about theater, theater folk, women playwrights

“I won’t grow up!”

Man, realizing that he could not remain forever young, bestowed immortality on his gods and let them frolic in their gardens. Then he became jealous of their frivolity, and searched for the fountain of youth, for his own opportunity to act with irresponsibility.

For J.M. Barrie, the hunt for that “Neverland” was led by Peter Pan, the boy who would not grow up. Peter Pan was played by a number of actresses over the years– Mary Martin, Sandy Duncan, among them– and spawned a psychiatric syndrome not listed in the DSM.

In For Peter Pan on her 70th birthday, at Playwrights Horizons previewing August 18th and running through October 1st, Sarah Ruhl examines issues of immortality.

Her titular Peter is Ann (Kathleen Chalfant), an actress in community theater who played the boy 50 years ago in her youth. Those seeking to find their youth along with Ann are the “lost boys,” Wendy (Lisa Emery), Michael (Keith Reddin), Jim (David Chandler), John (Daniel Jenkins) and a dog named Macy. The cast, under Les Waters direction, is rounded out by The Father (Ron Crawford.)

For Peter Pan on her 70th birthday is the first play of the season at @PHnyc on their mainstage. On September 6th, the world premiere of a Playwrights Horizons commission, The Treasurer by Max Posner will begin at their Peter Jay Sharp space.

To learn more and find tickets for the Playwrights Horizons 2017-18 season, please visit
https://www.playwrightshorizons.org/

Table read of The Treasurer (photo from PHnyc website.)
Posted in Act One, Andrea Martin, James Lapine, Lincoln Center Theater, Moss Hart, Santino Fontana, theater about theater, Tony nominee, Tony Shalhoub

Let’s begin with "Act One"

Tony Shalhoub as Moss Hart, Andrea Martin as Aunt Kate and Santino Fontana as Moss Hart in LCT’s “Act One,” adapted by James Lapine from the memoir by Moss Hart. Photo by Joan Marcus.

Each of us is the hero of our own story. In “Act One,” Moss Hart may have mythologized his ascent in the theater. Cut him some slack, his memoir has been an inspiration to generations of aspiring theater-folk. James Lapine, who also directs, has turned Hart’s book into a thoroughly theatrical event. 

“Act One,” at Lincoln Center’s Vivian Beaumont Theater through June 15th, everything as it should be. From the brilliant multi-layered set by Beowulf Boritt to the superb ensemble and smart direction, “Act One” sings with aspiration and 
success.

Tony Shalhoub as George S. Kaufman and Santino Fontana as Moss Hart in a scene from “Act One.”
Photo by Joan Marcus
As James Lapine’s “Act One” opens, Moss Hart (Tony Shalhoub) looks back on his life and career. His Aunt Kate (Andrea  Martin) comes home from the theater and argues with Moss’s father, Barnett (Shalhoub again) over money, while Moss’s mother Lillie (Mimi Lieber) placates their borders.  Aunt Kate and young Moss (Matthew Schechter, who later also plays Moss’s younger brother Bernie) hatch a plan for Moss to skip school and join her at Thursday matinees. Schooling is a moot issue, since by the time Moss is sixteen, he is apprenticed to a furrier, a job he hates. Instead Moss (now played by Santiino Fontana) makes his own way to Broadway and the work for which he yearns. clerking for theatrical booking agent Augustus Pitou (Will LeBow.)
Chuck Cooper as Max Siegel (one of several roles he undertakes) and Bob Stillman as Sam Harris (he also plays other parts) and Company in a scene from “Act One.” Photo by Joan Marcus.

Hart’s first play, written in 1925, when Hart was just 21, to help fill Pitou’s road circuit, “The Beloved Bandit” flopped in Chicago. In the meantime, Hart was directing small theater companies all over the New York area,  from the Borscht Belt to New Jersey. By 1930, “Once In A Lifetime,” co-written with George S. Kaufman (Shalhoub), and Hart’s first theatrical success, opened on Broadway, after many fits and starts out of town. Hart and Kaufman would continue to work together on many a show after this original collaboration. 

Andrea Martin– like Tony Shalhoub, who is a nominee as Best Leading Actor in a Play for his work here– adeptly handles three parts. She is Aunt Kate, eccentric theater producer Frieda Fishbein, and Kaufman’s wife Beatrice. Shalhoub and Martin each give distinct and nuanced lives to each of their characters. In this cast, you risk looking like a slouch if you only have one role to play. Santino Fontana does just that, and he’s outstanding as Hart at his youthful prime. 

“Act One” is a perfectly beautiful production.

To learn more about “Act One,” please visit www.lct.org.