Judy and Mickey may have been able to put up a show on a wing (time step) and a prayer. You likely need more than just that barn. If you want to be an impressario, you need some skills.
Those with curiousity about what it takes to be a Broadway (or off and off-off) producter can explore these options with the Theater Resources Unlimited (TRU) in an intro program on August 20th.
The free informational program will introduce prospective theater showmen in the intricacies involved in mounting a show. .At this meet-and-greet info session about TRU’s Producer Development and Mentorship Program (PDMP), the would-be producer will have the chance to learn from and network with TRU’s commercial producer instructors and successful program graduates.
PDMP’s mission is to give members the resources and mastery to become commercial theater producers, non-profit theater producers and/or self-producing artists. TRU’s classes, which are reasonably priced, will give you the necessary know-how, such as developing a business plan, raising money, budgeting, marketing and putting together creative production teams. For those theater artists who may need to self-produce, they also provide the tools with which to create your own opportunities .
You might think that Will (now a TV series, seemingly inspired by our friends at Something Rotten!, in which The Bard is a Rock Star) would not approve.
In truth, though his plays had many acts, folks walked in and out as they saw fit. The audience were a rowdy bunch we probably would not tolerate in our theaters today. Theatrical etiquette is far more decorous these days.
I make that statement despite having to sit through a show next to an apple-chewing patron once upon a matinee. Cell-phone incidents are another of the annoyances that Shakespeare’s contemporaries would not have had to contend with, but that are very common among today’s audiences.
All this off the beam, however, as I was lauding the show without an interval. In that vein, I will admit that the above mentioned Something Rotten! was NOT a musical without an intermission. Many of the plays I have enjoyed over the years have been multi-acts with the obligatory pause for the audience to find refreshment and stretch their legs.
more shortly, so come on back, after this brief intermission…. and it’s July 11th, so we are back in 1, 2, 3:
n William Shakespeare’s (and Kit Marlowe’s) time, eating oranges and throwing tomatoes were not unusual activities during the course of a theatrical performance. The audience hardly needed a pause in the action to eat or drink or wander about. The interval was not for the patrons but the actors to regroup. It was for a change of scene; the groundlings bustled about throughout the show.
Get to the point, we say, and so the one act does. It suits our times as a longer play fit other eras and fashions.
A story told in one breath, without a break has a different arc from the one that follows the convention of three (or five) acts. It is shaped and shared differently. In some ways, it packs more intensity by providing a continuity of action.
And 90 minutes or an hour and forty-five is a manageable chunk of time for those of us whose attention spans have been shortened by social media.
A one-act play is a haiku, often the more beautiful for being succinct.
Exposing our children (or grandchildren) to theater and dance could really be a year-round endeavor. Nonetheless, many of us choose to show them the grand repertories of kid-friendly shows over the holidays.
NYCB is not alone in mounting a lavish Nutcracker from November through December, but it is a go-to for lots of parents. ABT has yet to release dates for its Nutcracker spectacle, another rousing destination for families. (Those of you in New Jersey can enjoy the American Repertory Ballet’s version.)
Another newer tradition for some people is Peter & The Wolfat the Guggenheim’s Works & Process series which kicks off in early December.Brad Lubman leads Ensemble Signal in Sergei Prokofiev’s score. Renowned fashion designer Isaac Mizrahi narrates, directs, designs the set and costumes. Mizrahi’s special cast performs choreography by John Heginbotham, at which the familiar characters come to life in the Frank Lloyd Wright-designed Peter B. Lewis Theater for ten performances.
Other holiday specials are all around the town. One, at the Axis Theatre, is from the Grimm canon and starts on December 2nd. Seven in One Blow, or the Brave Little Kid written and directed by Randy Sharp is in its 15th year of production.
Children’s theater gets the year-long treatment at The New Victory Theater. For November in their New 42nd Street studios, the company hosts something called Paper Dreams for 2-5 year olds, and on the mainstage for an older crowd, a magic show, Jason Bishop: Straight Up Magic. New Victory productions will charm adults as much as they do youngsters.
Symphony Space on the upper west side has a series called Just Kidding that offers all-year programming for the younger crowd. There are hootenanies and game shows, puppets, plays and all manner of story-telling for them to enjoy almost every week. For the holidays, they have Just Kidding: National Dance Institute: The Celebration Team! with 100 kids dancing on November 19th and Puppetkabob: The Snowflake Man on December 17th among other programs. November 13th brings the LIVE Trivia show for the whole family, called the Big Family Quiz Thing.
Also check out the Theater at the 14th Y for children’s fare. This December, for a limited run, there’s Hanna and the Moonlit Dress, based on the beloved Israeli book Hanna’s Sabbath Dress by Itzhak Schweiger-Dmi’el and is adapted for the stage by Ronit Muszkatblit and Yoav Gal.
There’s so much holiday fare for you and your children but we share only a select few things here.
The moment between December 31st and January 1st so widely celebrated, and especially so at the hub on Broadway’s Times Square, is not the real new year.
Every summer-tired kid can tell you that the new year starts in September when school opens. Theater nerds will likewise say that this is the beginning of the year. Broadway will have two openings on the 20th with The Encounter at the Golden and The Front Page at the Broadhurst. Manhattan Theatre Company also starts previews for Heisenberg, a Broadway transfer to the Samuel J. Friedman Theatre on the 20th. Holiday Inn started previews at Roundabout’s Studio 54 on September 1st, while their The Cherry Orchard previewed on the 15th at The American Airlines.
Off-Broadway has already been perky this season. Playwrigths Horizons opened its first show of the season, Julia Cho’s Aubergine. PH’s second show, A Life, which begins previews on September 30th, and features David Hyde Pierce in the cast, has already extended its run to November 27th. The Mint has A Day By The Sea, playing since July 22nd and through October 23rd. The Pearl’s A Taste Of Honey began previews on September 6th and has already extended the run through October 30th. Starting on September 29th, it will be running in repertory with David Harrower’s Public Enemy, an adaptation of Ibsen’s Enemy of the People.
Further off the great white way, there is also a good deal of action, too. The list is too long to include every production, but we’ll sample a few here:
Black Moon Theatre Company presents Bliss based on the Tibetan Book of the Dead with performances on September 8-25, 2016, at The Flea Theater.
Core Creative Productions presents an updated version of ariveting and award-winning drama about police brutality called Chokehold at the 14th Street Y Theater from September 16th through October 8th.
Playwrights Realm started their 2016-17 season on August 29th with the world premiere of The Wolves by Sarah Delappe, and will also present a collab with (and at) the New York Theatre Workshop when it shows Mfoniso Udofia’sSojourners & Her Portmanteau later in the Spring.
Meanwhile, currently playing at the New York Theatre Workshop is Nathan Alan Davis’ provocative new play Nat Turner in Jerusalem.
A musical with illusions promises to be a happy ride when On The Rails opens on September 29th, at The Actor’s Temple where it will continue through November 20th.
On The Rails is part of the Lady Liberty Theater Festival, as is Missed Connections, playing sporadically (aka check the scheds) from September 27th through the end of November at the Kraine.
A cinematic and live dance/theater work combines in Geoff Sobelle’s Pandaemonium, directed by Lars Jan with music composed and performed by Brooklyn musician Xander Duell looks to be a unique experience at New York Live Arts from September 28th through October 1st.
The no-holds barred comedy about race and American history, Underground Railroad Gamebegan previews at Ars Nova on September 13th for an opening on September 26th and running through October 15th. extended to October 29th! now in a final extension to November 11th!
Followung up on the introduction they made in 2014, New Light Theater Project is featuring playwright Ross Howard, a Brit indie sensation, in rep from October 19th through November 12th at the Access Theater.
In other festival news, the Flea is presenting a pair of A.R. Gurneys, Squashand Ajax, beginning October 10th.
EDWIN, The Story of Edwin Booth is at Theatre at St. Clement’s through September 18th, so hurry. The musical is about the most famous American actor of the nineteenth century, and, famously, brother to Abraham Lincoln”s assassin.
You know someone like me (no hint intended) who feels something’s missing without a pad of paper handy. Help them feel complete with these very cool notebooks.
The covers speak to a passion for theatre, directing, and.. life. They may inspire great thoughts within. Or terrific and ambitious to-do lists.
Some of these journals may come to be used to pen the great American novel, or lively poesy. Others will be repositories of thoughts and feelings. Whether they are used as diaries or reminders what to get from the store, these notepads present a handsome facade.
Journal-keeping is also highly recommended by our friends in the therapeutic community. These are among other things good repositories for your wishes, your dreams, your memories, your aspirations, and your epiphanies.
Along with a journal this good-looking, you could use a pen as sharp. With Pearl Paint and Art Brown closing here in NYC, it might prove a bit more difficult finding a pen to go along with the paper.All is not lost, however. Lee’s Art Shop is still open, and stationers can be found around town. Fine writing implements can be gotten on line from places like The Fountain Pen Hospital as well. Another web-based resource for extremely cool, and very vintage pens are available from NYCpens.com,