Posted in 2017 Tony Nominations, drama, musical, Tony predictions

Irksome

LACOMBE_17024_5O9A0617_D
Chris Cooper and Laurie Metcalf in a scene from A Doll’s House, Part 2 (c) Brigitte Lacombe

It’s an annual event that has critics and ordinary theater goers in a tizzy. The Tony Award  nominations are in, and this year’s contest (the 71st)  will be televised o n Sunday June 11th on CBS. It is at this ceremony that the results of all that Tony voting will be revealed. “And the winner is…” is a nerve-racking pronouncement. Equally irksome, and this is true year-to-year, are the actual nominations meted out with such parsimony.

All theater should be celebrated, yet the Tony committee chooses to withhold even a nod from some productions. Why? oh why? (BTW, a line from My Sister Eileen, the musical version of which, Wonderful Town, starring Rosalind Russell won the 1953 Tony.)

Nevermind, we just have to face what is coming at us like a freight train, and dig in for some knotty predictions. Horse races are not my thing, and my track record, as it were, for guessing who will get which prize is extremely poor.

Rinse and repeat

The smart money this 2017 season is on Groundhog Day, a musical I have not seen. Reports –from critics, and friends alike– (one a fan of Andy Karl who went to a performance during his absence due to injury, said it was still terrific)– are that this is the one to beat.

May I propose that in honor of Andrew Call’s valiant subbing in for Andy Karl, we add this minor adjustment to the proceedings: “And the Tony for best understudy in a leading role goes to….” (A category on the women’s side once taken by Barbra Streisand.)

The contestants as we know them

War Paint, another musical I skipped this season, has not one but two leading ladies vying for the Best. Truthfully, both Christine Ebersole and Patti LuPone are winners, although not necessarily this year. Ebersole has two Tonys as the Lead in 42nd Street (2001) and in Grey Gardens (2007); LuPone’s Tonys include a win for Evita (way back when, and wonderful; 1980) and for her Mama Rose in Gypsy (2008.) Both of these admirable divas have also had more than their fair share of nominations over the years.

5019Let me also admit to not having seen the other nominees for Best Musical, which are the wonderfully named Natasha, Pierre & The Great Comet of 1812, the hyper-modern Dear Evan Hansen and charmingly off-beat Come From Away. As an outsider, as it were, I will make no further assumptions here. We really liked Bandstand, and it has had only limited recognition from the Tony folk. We were sure this first-time Broadway effort by veteran musicians Rob Taylor and Richard Oberacker deserved at least to be named.

 

The play’s the thing

Little FoxesOn the straight play side is where we have slightly better traction, although only slightly so. Of the nominees for Best Play, we have seen (and lovedA Doll’s House Part 2.  We have also seen the nominated revivals, The Little Foxes and Jitney, both in very fine productions; the revival of The Price was not among the plays mentioned. For what it’s worth, we are rooting for …Part 2, and for Little Foxes.

While on the subject of …Foxes, Tony could have given Cynthia Nixon (whom as it happens we saw in the lead) and Laura Linney (who split her lead and featured roles with Nixon) co-nominations in the Best Lead Actress category. Instead, Nixon gets the nod as Best Featured Actress, and Linney is in the running for the Best Lead.

The Glass Menagerie
Madison Ferris and Sally Field in The Glass Menagerie Photo by Julieta Cervantes

We have seen three of the nominated actress in both the Lead and Featured category., and this is a tough call. Sally Field has had her “they really like me” moment, and in fact was a very credible Amanda in my favorite Williams’ play; if I say I really really liked her, it is not to mock but to admire. Since I cannot speak to Linney’s interpretation of the steely Regina Giddens, and I can say that Laurie Metcalf was (as usual) fabulous as the re-imagined Nora in …Part 2, I will send a nod her way. This is in part based on only partial facts and in part based on a long-term admiration for her work. The entire cast in ..Part 2 has been nominated, and I would rally for each of them; the caveat is that this conclusion is also based on limited evidence.

The Men in question

We’ve seen five of the shows in which a male actor was nominated for a 2017 Tony Award. Two of them were leads. Denis Arndt gave an impressive, nuanced performance in the two-handed Heisenberg, (so named, I think, because of some relativity principal the play explored) opposite Mary-Louise Parker. Chris Cooper, Torvald in …Part 2 is definitely a worthy candidate; he is both hot and cold. Still, even with that, don’t feel like I know enough about the Best Performance by an Actor in a Leading Role in a Play.  For the Best Featured Actor, Richard Thomas is an estimable Horace Giddens in the revival of Lillian Hellman’s The Little Foxes. We definitely felt that Danny DeVito stole The Price from under his co-stars. John Douglas Thompson also shined in the excellent revival of August Wilson’s Jitney. From this vantage, I’m certainly unwilling to pick just one. Now, it is I who is proving tiresome. Oh, well.

In conclusion

May we suggest that you watch the ceremony, hosted by the multi-talented Kevin Spacey, on CBS on June 11th at 8pm. Cheer for the performances and productions you’ve seen; enjoy the fine show that Tony always provides; place your bets, and….

Posted in #Roundabout, Manhattan Theater Company, Playwrights Horizons, The Flea Theater, The Mint Theatre, The Pearl Theatre Company, theater, theater lovers

Happy New Year

Black Moon Theatre presents Bliss based on the Tibetan Book of the Dead September 8-25, 2016 Photo by Steven Pisano
Black Moon Theatre presents Bliss based on the Tibetan Book of the Dead
September 8-25, 2016
Photo by Steven Pisano

The moment between December 31st and January 1st so widely celebrated, and especially so at the hub on Broadway’s Times Square, is not the real new year.

Every summer-tired kid can tell you that the new year starts in September when school opens. Theater nerds will likewise say that this is the beginning of the year. Broadway will have two openings on the 20th with The Encounter at the Golden and The Front Page at the Broadhurst. Manhattan Theatre Company also starts previews for Heisenberg, a Broadway transfer to the Samuel J. Friedman Theatre on the 20th. Holiday Inn started previews at Roundabout’s Studio 54 on September 1st, while their The Cherry Orchard previewed on the 15th at The American Airlines.

Off-Broadway has already been perky this season. Playwrigths Horizons opened its first show of the season, Julia Cho’s Aubergine. PH’s second show, A Life, which begins previews on September 30th, and features David Hyde Pierce in the cast, has already extended its run to November 27th. The Mint has  A Day By The Seaplaying since July 22nd and through October 23rd. The Pearl’s A Taste Of Honey began previews on September 6th and has already extended the run through October 30th. Starting on September 29th, it will be running in repertory with David Harrower’s Public Enemy, an adaptation of Ibsen’s Enemy of the People.

Further off the great white way, there is also a good deal of action, too. The list is too long to include every production, but we’ll sample a few here:

Black Moon Theatre Company presents Bliss based on the Tibetan Book of the Dead with performances on September 8-25, 2016, at The Flea Theater.
Core Creative Productions presents an updated version of ariveting and award-winning drama about police brutality called Chokehold at the 14th Street Y Theater from September 16th through October 8th.
Playwrights Realm started their 2016-17 season on August 29th with the world premiere of The Wolves by Sarah Delappe, and will also present a collab with (and at) the New York Theatre Workshop when it shows Mfoniso Udofia’s Sojourners & Her Portmanteau later in the Spring.
Meanwhile, currently playing at the New York Theatre Workshop is Nathan Alan Davis’ provocative new play Nat Turner in Jerusalem.
A musical with illusions promises to be a happy ride when On The Rails opens on September 29th, at The Actor’s Temple where it will continue through November 20th.
On The Rails is part of the Lady Liberty Theater Festival, as is Missed Connections, playing sporadically (aka check the scheds) from September 27th through the end of November at the Kraine.
A cinematic and live dance/theater work combines in Geoff Sobelle’s Pandaemonium, directed by Lars Jan with music composed and performed by Brooklyn musician Xander Duell looks to be a unique experience at New York Live Arts from September 28th through October 1st.
The no-holds barred comedy about race and American history, Underground Railroad Game began previews at Ars Nova on September 13th for an opening on September 26th and running through October 15th.  extended to October 29th! now in a final extension to November 11th!
Followung up on the introduction they made in 2014New Light Theater Project  is featuring playwright Ross Howard, a Brit indie sensation, in rep from October 19th through November 12th at the Access Theater.
In other festival news, the Flea is presenting a pair of A.R. Gurneys, Squash and Ajax, beginning October 10th.
EDWIN, The Story of Edwin Booth is at Theatre at St. Clement’s through September 18th, so hurry. The musical is about the most famous American actor of the nineteenth century, and, famously, brother to Abraham Lincoln”s assassin.
This list could go on and on, but you don’t want to hear that. Check out Soho Rep, and MCC, for example, and the Ensemble Studio Theatre.The Vineyard Theatre deserves a visit, too, especially for their kid-friendly productions. Lincoln Center’s The Claire Tow Theater deserves a visit if for nothing but its view, but its productions have been spectacular, too. Downtown, there’s also the Classic Stage Company, the Public, and for Off-Broadway in the heart of Broadway, the Signature Theatre Company and the resident New Group. Just to name a few theatrical companies waiting to entertain you.