Posted in comedy, dance, drama, theater

Articulated

ONE GREEN BOTTLE, photo by Kishin Shinoyama,

It is sometimes harder to put a concept better expressed in the physical, into words.

I admit that it can be difficult for a critic to articulate what s/he sees presented on the stage. Some things are visceral. This is particularly true of dance where emotion and meaning are conveyed in gestures, movement and context. It also often applies to experimental theatre which tends towards the cerebral.

Katie Workum and her collaborators want to communicate about their work, The Door’s Unlocked in exclusionary descriptives. This is how the work is described:
“Let’s be clear:
This is not a dance piece. 
This is a conjuring inside a temporariness. 
This is connecting the dancers with the dance. 
This is a negotiation of our togetherness.  
This is entering the unknown without demanding to know. “

She and her collective, the eponymously named Katie Workum Dance, will perform the multi-platformed piece at Foley Gallery at 59 Orchard Street; they expect that it will change with each iteration and audience to which it is presented, from February 3 through 9.

In speaking of the experimental in theater, I am always referencing LaMaMa as a touchstone. So, I am glad to be able to include in this posting a little something of what they will be up to in the new year.

La MaMa, in association with Tokyo Metropolitan Theatre and NODA・MAP, presents the U.S. Premiere of One Green Bottle from February 29 through March 8, 2020 at The Ellen Stewart Theatre, La MaMa Experimental Theatre Club. One Green Bottle is an absurdist work in which gender is bent, and our societal foibles, from consumerism to selfie-addiction, is explored.

LaMaMa may have been at the forefront of theatrical happenings, of course, but all theatre is about performance, sentiment and interaction. What is on stage is always a happening.

ABTC, Echoes in the Garden (reading) © Basil Rodericks 2019

The 1st Origin Irish Festival is in its 12th season of competition., beginning on January 7th and running through February 3rd. The festival is a highly curated event, devoted to producing the plays of contemporary Irish playwrights from around the world with a total of 15 productions being presented in venues all over NYC. During the Closing Night Ceremony on Monday, February 3rd, the Best of Festival Awards will be handed out.

A multi-generational drama, Echoes in the Garden, is on offer at The Chain Theatre this March 11th through 29th. The world premiere of Ross G. Hewitt’s new play about family, grief and obligation is producted by American Bard Theater Company and directed by Aimee Todoroff.

Also at The Chain, beginning on February 7th and running through the 22nd is another premiere, Chasing the River. Written by Jean Dobie Giebel and directed by Ella Jane New, Chasing the River depends on memory and its intersection with PTSD to tell its tale of second chances, survival and the healing power of love.

Posted in avant garde, dance, love story, theater

Romance and Dance Just Around the Bend

Love is eccentric. It often erupts in or from unresolved disagreements and conflicts.

Some “lessons” about the messy nature of romance were witnessed first-hand by author Ellen Maddow in her role as a mediator in Brooklyn Civil Court.

Maddow applies what she learned to create the chaotic music-filled comedy, Burnished by Grief-A Romantic Comedy, at La MaMa’s first floor theater from January 22–February 7,  in which she investigates the symphonic beauty of cramped New York City life.

Burnished by Grief, written and composed by Maddow and directed by Paul Zimet, partners since 1974 in the Talking Band,  one of the city’s foremost avant-garde theaters.   La MaMa joins with Talking Band to present the world premiere of Burnished by Grief, an offbeat and disturbing romantic comedy.

DRUNKThe creative team—including Anna Kiraly (Set and Video Designer), Kiki Smith (Costume Designer), Lenore Doxsee (Lighting Designer), and Tim Schellenbaum (Sound Design) – will transform LaMaMa’s First Floor Theater into a prismatic and halucinatory Brooklyn with a backyard surrounded by peering neighbors and stationery bikes in the midst of the disarray of a traffic island.

Visit www.lamama.org to find out more about Burnished by Grief.

Love is a form of intoxication for some. LABAlive presents Drunkan Evening of Wine, Jewish Text Study, Art, Music, Theater and Imbibing at the 14th Street Y on January 21, explores the more traditional kinds of inebriation. LABA: A Laboratory for Jewish Culture presents this event in which wine is paired with scriptural text.

To find out more about LABA and Drunk, visit http://www.labajournal.com/drunk.

There are additional January off-Broadway “treats” at http://wp.me/p5jq0w-FA

Sometimes love and art marry. Bob Fosse, for instance, was not just influenced by Jack Cole, the legendary “inventor” of the theatrical jazz style of which Fosse, along with Jerome Robbins, Alvin Ailey, and Gower Champion, was a practitioner, he also married Cole’s assistant, Gwen Verdon.

From January 20 through February 4, MOMA presents a film (series) tribute to Jack Cole, All That Jack (Cole). Cole’s style of dance–combining elements from ethnic, ballet and popular dance idioms– is what we have come to  expect on stage and screen.

For a schedule, please visit the MOMA calendar.

Speaking of dance… and dance on film:

Movies by Movers will merge with The American Dance Festival’s International Screendance Festival to become ADF’s Movies by Movers. Directed by Cara
Hagan, ADF’s Movies by Movers will be a festival dedicated to the exploration and celebration of human movement in film and digital media. The festival will hold screenings in Durham, NC during ADF’s season and in Boone, NC in September.

 

Teach your children well:

Exposure to dance performances can be a formative experience for youngsters.

A new initiative by Paul Taylor’s American Modern Dance (PTAMD) called the Tier 3: Arnhold Dance Education and Audience Development Initiative is a free program introducing New York City students K-12 to modern dance.  After its success as a pilot program last year, Tier 3 will invite New York City teachers, administrators, principals, students, and parents joined PTAMD to experience great works of modern dance at the highest standard of excellence—performed by amazing dancers, with live music, at one of the world’s greatest dance venues, free of charge to PTAMD’s annual New York Season at the Koch Theater at Lincoln Center in March.

Tier 3 will also make available a customized Study Guide that contains primary source material, critical thought provokers, and links to video documentation and will give teachers an opportunity to attend a Professional Development workshop to deepen their understanding of the modern dance genre so they can maximize the benefits of the performance component when following up in their classrooms.

About the (PTAMD) Spring season:
Paul Taylor’s American Modern Dance opens its annual Season at the David H. Koch Theater at Lincoln Center in New York, on March 16. (It runs through April 3.)

The prolific Paul Taylor presents his 143rd dance, Sullivaniana, and his 144th work, Dilly Dilly this spring.

Taylor Company Commissions, initiative Paul Taylor has undertaken to ensure that the vitality of modern dance continues, will feature commissioned world premieres of dances by Larry Keigwin and Doug Elkins.

To honor the Martha Graham Company’s 90th Anniversary, Paul Taylor chose to present her Diversion of Angels during the seven seasons he danced with the Martha Graham company beginning in 1955. Helping him oversee the production, to be staged by Blakeley White-McGuire and Tadej Brdnik, will be Linda Hodes, Taylor’s partner in Diversion of Angels. and who was the founding Director of Taylor 2 in 1993.

Rainbow ’Round My Shoulder, Donald McKayle’s 1959 signature work, depicting workers on a chain-gang, is another historical masterpiece that will be on the Season’s programs; Dayton Contemporary Dance Company will perform.

Music will be performed live by the renowned Orchestra of St. Luke’s, conducted by long-time Taylor Music Director, Donald York.

To learn more about the PTAMD New York Season, please visit http://ptamd.org/LC2016/